Judge — February 20, 1926 — page 32: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

“You Invite, Certainly—” 6¢é¥7OU modein girls have learned to get what you want, and so you've for- otten the only thing your mothers knew— few to hold what you have. Any woman who uses her heart instead of her head can get than away from one of you bright, pretty cold things. ... Oh, don’t look so smu; I don’t imply tha "re cold in certain way You're probably very loving, and warm, and full of ardor; but you're cold in the sense of sweetness and simplicity and kindness. . . Why, Janet, do you know any woman who is either sweet or kind?” “You mean sugary,” said Janet “And women aren't sugary now. kind, anyway.” hotly. Not my “It's mystery I'm advocating, the loveliest thing in the world. Fewer words . . . more silences . . . more sweetness. " “That,” said Janet, slowly, “has the ear- matks of a hot idea.” aaae So speaks the family friend toa young wife who is rapidly losing her husband. Has he the right idea? See “Kiss Me Good-bye,” by Dorothy Dow, in the current issue of SNapry Stories. On all Newsstands- We hope you liked the | | UPSIDE DOWN NUMBER | and now we have a SPECIAL ANNOUNCEMENT WEEK AFTER NEXT JUDGE WILL PRESENT ITS THEATRICAL NUMBER Kee This is an annual feature and has always been a big | success. Ke WATCH FOR IT!} First Playgoer—Well, what about having a look to see how the show’s getting on? Second Playgoer—Why, dash it, old fellah, we've been in twice already! Judging the Shows (Continued from page 16) the New York public that she is a great emotional actress. That Madame Kalich is greatly emotional, there is no question; but that she is a great emotional actress, there are a couple of thousand. The acting that La Kalich gives us belongs to the day when great acting was held to be more a part of physiology than of mental- ity, and when the public’s favorite actor, if not the critics, was that one who, under any given dramatic cir- cumstances, could act least like a human being. There are moments when Madame Kalich is forthright and eloquent, but there are many more when she suggests nothing quite so much as a windmill illuminated by red fire. “Magda” is the kind of play that has always been close to the heart of the deep-breathing, fist-clenching, head-tossing school of actress. It pro- vides such a performer with every —Humorist desired opportunity save the scene in which she gives up the throne of Caronia and marries the handsome young revolutionist. Otherwise, all the grard old stuff is there for the picking. And La Kalich goes at it with the relish of an artillery major who for a long time has had nothing to play with but a bean-shooter. IV HATEVER fault may be found with “A Weak Woman,” no one can find anything to complain about in the matter of the transla- tion, for if there is a more skillful French translator hereabouts than Dr. Ernest Boyd he must be hiding behind whiskers beside which those of Dr. Boyd himself would seem like a single ingrowing hair. Boyd, in truth, has done a first-rate job. The Jacques Deval comedy is witty and diverting and provides an agreeable theater evening. comicbooks.com