Judge — February 20, 1926 — page 28: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Date JUDGE 627 West 43d Street, New York, N. Y. I want Jupce for myself. I have checked below the offer I accept Herewith is $1.00 (check, cash, stamps, money-order) for 10 weeks of JUDGE. Herewith is $2.00 (check, cash, money-order) for 21 weeks of Juvce. CHECK HERE Herewith find $5.00 (check, cash, | money-order) for one year’s sub- scription to JUDGE. Name Address City State RE you | ready to enjoy your social duties, sports or re- creations? Try HOSTETTER'S Celebrated Stomach Bitters—a wholesome tonic, appetizerand ve. HOSTETTER’S CELEBRATED STOMACH BITTERS 4 arene Dame ericien by, one of remark : Commercial Art and anh Song’ drawn out correspondence course ‘xplaine Every! “DON'T SHOUT’ “I can hear y« MORLEY PH PHONE invisible, weightless, comfortable, inexpensive. Ry metal, wires nor r by anyone, ‘yoane or old. The Morley Phone for the DEAF is to the ears what glasses are to the eyes. Write for Free Booklet con- taining testimonials of ee all over the .count comer. ft describes causes of deafness; tells he how and why the MORLEY The Morley Comp: Over 100,000 INE relieves. sold. , 10 South 18th St., Dept. 774, Philadelphia The Highest Score Ik FRONT of a roaring open fire- place, in a quiet part of heaven, sat Beethoven, Mozart, Schubert, Verdi and Wagner. In a celestial corner blared a radio loudspeaker. Each of the musical masters was keeping score on a pad. “This is Station WXX, United States of America,” squeaked the horn. “Buddy De Vrie’s Jazz Sere- naders will now play ‘She's a Trip- pin’ Pippin’.”” In a harsh jangle, the melody blatantly poured forth. “Score eight for me,” remarked Mozart, putting a mark on his pad. “That's swiped from one of my operas. I lead you all with a score of eight.” Then the horn screeched again. “Next number will be ‘Don’t Drag Dora.’” “Score eight for me too!”’ trium- phantly asseverated Verdi, “that's been ‘adapted’ from one of my best known operas.” Again the horn spoke: “You'll now hear ‘She’s a Bottle Baby— Oh, Boy.’ ” “That's taken from one of mine,” beamed Beethoven. “I’ve scored eight so far myself.” Two more jazz cocktails poured out of the raucous horn. One was “Red Hot Hattie,’ freely based on one of Schubert's most studious works and the other was “Two Time Tes- The general public's idea of G. Washington. sie,” obviously a Wagnerian melody. The five competitive maestros were tied! It was a tense moment behind the Pearly Gates. The next selec- tion would decide the contest and the winner would receive a_pearl- studded, self-starting harp. Anx- iously they listened. Then the announcement came: “The next selection through Station WXX will be ‘Those Color Blind Blues.’ The music started in jazzy rhythm, fast, pulsating. “That first part’s one of mine!” exclaimed Schubert. hose next notes were written by celled Verdi. is harmony shouted Wagner. “I recognize my ejaculated Beethoven. “And this last roared Mozart. The music stopped. The dance was OV “A tie!” laconically d Will Shakespeare who was official scorekeeper. “The harp will be raffled off for the benefit of The Aged Angels’ Home.” Then the radio spoke again: ‘You’ have just heard “Those Color Blind Blues’ by—” ‘Schubert, is my creation!” melody here!” part is mine!” Verdi, Wagner, Bee- thoven and Mozart!” _ bitterly shouted the heavenly composers, throwing their halos to the floor in a charming display of post-earthly temperament. Hugh Wood comicbooks.com