Judge — September 5, 1925 — page 20: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

o o Oo o o °o o o o o o o o oO o o So o oO So So o o oO oO o o o o o o o f=) o o o o o o o o o o o Oo o o o o o o °o o f=) °. o o ° What They’re Like Sally of the Sawdust—Splen- did comedy with Fields and Dempster. The Unholy Three — Lon Chaney in an unusual thriller, that thrills. Don Q, Son of Zorro—Doug at his best. Beggar on Horseback—Fan- tastically funny farce. Grass—The best travelogue ever made, The Ten Commandments— Now playing locally. See at least the first half. The Paths of Paradise—A high hat comedy with Ray- mond Griffith. Kiss Me Again—The new Lubitisch film .reviewed next week. Oh, Charlie, My Joy! NTEND to talk about Charlie Chaplin and his latest pic- ture, “The Gold Rush,” but first I’ve got-to be polite to Mr. Joseph Plunkett, managing director of The Strand Theater. He says, speaking for Mr. Moe Mark, who owns the house, and himself, in part, on the sou- venir program printed specially for the occasion, “We feel highly honored by your pres- ence at this premiére presenta- tion of ‘the genius Chaplin's triumphant masterpiece.” Oh, that’s all right, Mr. Plunkett. Don’t mention it. The pleasure was all. mine! And that’s the truth. This particular premiére presentation was at midnight so that busy gentlemen like Will Rogers could get around to see it. “And when “The Gold Rush” ended at two thirty, and Mr. Chaplin had made a little speech saying that he was very emotional and couldn’t make a speech after such a reception, I left the theater and discovered the car- penters preparing for the real gold. rush that. commenced when the picture graduated from the premiere presentation class and went out to face the 00000000000000000000000000000000000000000000000000000000000 =, Discovered and Explored By Bok Eggnoodte, Pha, The Carpentershammer, a Cwo- horned Frog that ives on the Shores oF “Building contractor S Pond Subsists on spikes and len.penry nals’ and al day long keeps up a mournful croaking of ‘Knock Knock. So-3e) era ¥ Wee a ees Herd of domesticated Tén- rusracyuels browsing in the Thirtylove meadow-lands at the junction of the Biltilden and the /lollymalery Kivers. The wild Jotyjnegraw owl, that Ives in the “Copmost branch es of the Ballbearing Pennant trees. It eats hard bailed eggs and fas as ts companions, ‘Giant Batts that thy about the country gathering tat: juice: Bathing avertge Sonik Pid the Nationalléague bushes. aa & <i es Ss SN eal Sm ° Eg Baues oF the Sharp-nosed Corkscrew, an extinct. Pre~ Velslead animal, unearthed 4 natives jr the bition bigh lands. Hislorians claim that i lived on corks and uttered @wierd cry oF “Plop”’ wher annoyed: ~ =, oOo Oo © World at “no advance in prices.” They were building © an extra box office. They'll © need it. Judging by the way O © the hand-picked audience at © the opening shrieked and ap- © plauded they’d be justified in building a couple of annexes to © the auditorium itself instead of O © just the financial department. © © There'll be darned few un-sat- © on seats at The Strand for 6 weeks to come. I believe last week I com: © © pared some one to Charlie © © Chaplin. This just goes to © show how I sometimes get a little enthusiastic, go off half o cocked, and say things I'll be © sorry for. I shouldn’t have O © done it. Charlie is incom- © © parable. He’s as far ahead of © the field as a horse I haven’t ° bet any money on. Being primarily a showman 4 © he realizes the value of scar- © © city, that worth depends on © dearth, and has never flooded 6 the market with his work. The oO flavor lasts, but the definite © qualities of his acting always O © remain shrouded in a bit of © © glamourous mystery. Noone © oO ver quite remembers just o what it is that’s so funny about © Chaplin’s work, you just recall O © that heisfunny. And he cer- © © tainly is! You should have © heard your little playmate oO laugh. “The Gold Rush” is bound O © to please everyone on one O © score or another. It is howl- © © ingly funny and miserably © sentimental. Let those who care to say that Charlie can © look and”act more pathetic O © thananybody else on the screen © © do so, and I'll just let the sub- © o ject drop. But when they try o _ totell me that the pathetic sob- © stuff dragged into “The Gold © © Rush” is worth a Chinaman’s © © chance on a Japanese junk © o T'll stand on a chair and cuckoo until they'll think they’re in a Swiss clock store. 2° © Billed asa dramatic comedy, O © “The Gold Rush” represents © the worst of the adjective and © the best of thenoun. You pay your money and you take your © pick. I chose to enjoy the O © comedy and tried to disregard © © the slush that was thrown in © oO for good, or bad, measure. oO oO The story, as you probably PS have guessed, is one of the gold © rush in Alaska, and introduges © © Charles, the lone prospector, O [—) (Continued on page 28) So o o comicbooks.com