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Judge, 1925-07-18 · page 32 of 37

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Judge — July 18, 1925 — page 32: Judge, 1925-07-18

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master popular Y the shortest ‘time with a Conn ; exclusive features make it wind lars: Simplified key sven and ements in you quick mastery. Beautiful tone Zins {Instant admiration. Foremost saxophone stars use and endorse the Conn as supreme. free Teal, Fasy Paymentson any Conn all thelr exclusive features Comms cost m9 more. Write for details, mentioning 1a: CS CONN, Ltd. Led. ene a LO) COE. ——" ! My Establishment is perhaps one of the best paying, most exclusive and largest in America—and any first-class Barber can do as I have done, double and treble his business. Because of the exclusiveness of my place I do not wish to place my name to this adver- tisement, but any Barber who desires to make his Establishment the best known. in his town or city and thereby greatly increase his income, then address my Advertising Agency | who will forward your letter tome. is is directed to small town Barbers as well as those in bigger cities, Address marked “E. P. W.,” care J. B. Haines "Advertising Agency, 1218 Chestnut Street, Philadelphia. BEFORE AFTER Soc Writers / Esme 2 PY NS tau on sone fou nitabl or pabcatien. Ve hom Sang ll Carte du Jour (Continued from page 17) Of the new Broadway revues, the most diverting as I write is the latest version of the Shubert’s “‘Artists and Models.” George White's “Scandals” is a costlier exhibit, and its young women are a more decora- tive lot, but when it comes to comedy it runs second to this other show. And, after all, comedy isn’t the least important element in one of these summer exhibits. White's enter- tainment has considerable beauty and some very good dancing, but its humor relies for the major part upon Gordon Dooley’s rear part, and I, for one, can no longer laugh myself red in the face when the M. Dooley dejects himself upon his nether an- atomy. In the Shubert show, the humor has been looked after first and the girls and scenery afterward, and the result is somewhat more satisfactory to those of us sourballs who have got so that we wouldn’t trade a good joke for all the $25,000 shawl and fan numbers in Chris- tendom. There was a time when the spectacle of a troupe of queenly hussies clad in pearl nightgowns and waving fifteen-foot ostrich fans over their heads seemed to us to be something worth looking at. But, after looking at such things for six or seven years, there comes over us an encompassing homesickness for a single funny wheeze or anything of the sort that will take our minds off a great outlay of money offered to us in place of imagination, wit and novelty. Some of the “Artists and Models” humor is pretty rough, but @ measure of it is genuinely comical. osHEeR Kitty Ke.ty” is an at- tempt to make money out of the same folks who consider “Abie’s Trish Rose” a wonderful masterpiece. It is an “Abie” theme interlarded with songs and with some leg-lifting that some one connected with the enterprise evidently believes to be dancing. The whole thing is so cheap and crude that it either won't make a cent or will make a million dollars. My guess is that it will not make a million dollars. The author of the affair is Leon De Costa, hitherto unknown to me. The M. De Costa, being a wily fellow, has tried to double the “Abie’s Irish Rose” audiences for his show by supplementing the Irish and the Jews with Greeks and Chinamen. One doubts, however, that the sagacity of the M. De Costa is all that he thinks it is. For if it were, all that a producer would have to do to make a fortune would be to put on plays with four heroes apiece in- stead of one. De Costa loads on the grease so heavily that he stops his own wheels from moving. And in- stead of making the Irish, the Jews, the Greeks and the Chinese think they are the salt of the earth, he simply makes them think that he has made suckers out of them. You may pat a man on the back once and he will like it. But if you pat him on the back forty or fifty times, he will turn around and sock you. But the M. De Costa hasn’t stopped with his Irish, Jews, Greeke and Chinks in his chase of the yokel dollar. By way of getting even more theatergoers into his shop, he has r Pay as you enter booths to cool off in. comicbooks.com