Judge, 1925-06-27 · page 32 of 37
Judge — June 27, 1925 — page 32: what you’re looking at
A restored page from Judge, 1925-06-27. Page through the whole issue in the reader above.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
See Objects Miles Away! WAR BINOCULARS ECEIVED! Limited quantity GENUINE imported French and German A : Such ‘powerful Binoc lary Gevally, Ul tor $49 to $10" Out g price (while they last) ‘complete with 21 Senuine leather case and carrying straps 10-DAYS’ FREE TRIAL Send NO Money! NOTHING To Pay Postm: See them! Examine them! Try them! If sat after 10 DAYS’ TRIAL, you may pay at rate of $4 A MONTH money order for ROADEN your feld of vision! Don't live ia Views, Games of ACTION brought right to feet! "The joys of outdoors aren without them. The great pleasure INVESTMENT one can m. Indispen for eporte=—baseball games, achting, hunting, hiking, races, Lird and tudy. etc. SENT ON 10-DAVS FREE TRIAL ACT! rode ToD at? stl No Mean! | -lmporters and National Mail Order House 365 Washington St., Boston, M. Fer prompt attention address Lmport Dept. 15 [ Gentlemen: Please send me 8-power Binoculars Yenclose NO money and pay NOTHING ¢ if fam satist s TRIAL. t have the privilege of gt the ‘rate of $4.09 monthly 1853 p04 grading $10 g0. ta" FU Li ser ti MENT. Otherwise, 1 shall retura thes. IName 'appress [Please write PLAINLY! | Tear this coupon out [NOW Hyou wish to tell us something at Piouinell_ it will be appreciated JUDJ> chance! | SLAVES | ARISE! | The First Gun in the Great Rebellion will be fired in i The Slave’s Number | of | SUDGE OUT NEXT WEEK The Early Worm will get a | Bird of a Number! Tail-enders | (Continued from page 16) the M. Sherman | In the first place, it is a very short play. On the opening night, the curtain went up at quarter of nine and came down at twenty-two minutes after ten. In the second place, if the characters hadn't taken such a long time to walk in and out | of doors, it would have ended at least half an hour earlier. And in the third place, if the leading charac- ter hadn't been made to stutter— the last refuge of a playwright who doesn’t know what to do for comedy —the play would have been over | thirty or forty minutes after it be- gan. This is what is known as con- structive criticism. As for the rest of the speedy Sher- man’s masterpiece, its paraphernalia is borrowed from every mystery beanfeast that has been shown here- abouts since the first hand smeared with white chalk moved slowly around the door-jamb and turned out the lights. There is the ine table thunderstorm by way of heightening the dramatic effect and scaring the life out of the lady ushers, the vase that is mysteriously shattered by a revolver with a Maxim silencer (cide “Within the Law”), the door that opens without visible aid (ride “The Ouija Board”), the secret panel (d la “The Cat and the Canary”), the sudden flashlights, | the loud shrieks, and all the other delicatessen of the kind of exhibit that is supposed to mystify the audience out of its wits and that usually contrives finally to mystify only the backers. In the present bloom, the tale is of a house pre- wasted on it. — Would-be Passenger (to diminutivi man, you'd give us a ‘and an’ get me on. Conductor (with a tug)—If you was ‘arf a lady conductor)—If you was ‘arf a I'd stand a better —Passing Show (London) sumably haunted by the ghost of an opulent old gent whose will decrees that, in order to get their share of the boodle, his four heirs must spend three nights in the dump. Having seen the play, I conclude that the most mysterious thing in it is the acting. Aside from Grant Mitchell, the men and women hired for the occasion apparently believe that acting is something like auctioncer- ing. I have heard some fine yelling in my day—at football games, horse- races, bull-fights and in Congress— but that on the stage of the Forty- eighth Street Theater wins the loving-cup. Il A xotner beautiful exhibition of 4 4 yelling is on view, as I write, in the Cort Theater. The title of this second yell-banquet _ is “Bacuetor’s Bripes,” the product of the actor who plays the leading role. His name, for the benefit of future historians of the drama, is the M. Charles Davis, pseudonym: Charles Horace Malcolm. “Bacuevor’s Brives,” — which sounds like hot stuff but which is actually as innocent as A. Milne’s children’s verses, is what is known as a dream play. These dream plays are of three kinds. There is the dream play in which the hero goes to sleep and dreams that he is living in the age of William the Conqueror and that the heroine is the fair Gis- monda held captive by the dastardly knight, Eric the Saw-toothed. Then there is the dream play in which the hero takes an overdose of schnapps and dreams that he is dreaming a dream in which he dreams that the comicbooks.com