Judge — June 6, 1925 — page 19: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

SOME OTHERS ‘Jean Nathan shock to the producers. Yet the reason for the fruity reception is not difficult to figure out. In its native Ge Geist” has been played te ences who have invariably accepted it as the serious and often profound opus that it is, But it so happens that many things a German audiet fakes seriously, an) Am audience regards as food for snickers. In our theater, for example, if the hero of a play kisses the heroine with an unduly prolonged and ad- hesive smack, a liberal portion: of customers constitute themselves osculation by making of a wholesale sucking of horchound lozenges. In Germany, to the contrary, a kiss lasting so long that the audience an has ample time during it to consume at least two knackwurst sandwiches, a box of sarde or four dill pi slightest objection. Imagine, there- fore, what must inevitably happen (Continued on page 30) Hen and maybe three kles arouses not the Qu revoir Elliott Nugent and Norma Lee in “The Poor Nut” “No, my father never said Grace—that is, not after I was born.” “Tell Me More” “Going to the dance?” “Lcan't. I have a case of lumbago.” “Oh, these girls will drink anything.” comicbooks.com