Judge — May 16, 1925 — page 21: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

0 ae OOOODDDD00D0DDNDDONND DON ODODNDOONDOOOONDNDOODONOONNOOOOONNNSD The Reel Stuff By Carroll Carroll Among Those Presented The Last Langh—Wite your Congressman to force your loca exhibitor to bill this. As No Man Has Loved— Write your Congressman to join’ your local nst billing this. "he Lost’ World—Mechani- cally, pre-natural-historically interesting. enjoin exhibitor Grass—T1 nd march of a Persian T the tit ibe in search of sand darn good. Frank Norris’ “Me- “as he was writ. Fool The and sociology dally Celluloid religion “ourdraye Gloria Swanson as Madame Sans-Gé A Kiss in the Dark—An amusing comedy with, of course, Adolphe Menjou. Selly—An amusing comedy with, of course, Colleen Moore. The Pola wanta picture? She needs one! Two Pair HouGH it was rumored | around in concentrie cir- cles for some time that discovery was liable to q at any moment, it was not generally known that two prominent film com- panies were both rushing to the same country to make that discovery, and that that one was the Cape Cod country. Charmer har’s Portuguese on them thar shores,” said some one in the Vitagraph and First National offices respectively, simultaneously, and the race was on. The result was a tie. At Mark Strand’s remark- en house bloomed the i Portuguese Riesenfeld ational’s Dr. Hugo lily. delivered the Vitagraph Port- uguese baby into the subdued light of The Rialto. DO0DDDDDDDDDDDDDDDDDD DODD ODDO DN DDODNNDDDDODNDODONNNNNNNNDD A wandering Quakeroat, native of Cereal Village in the Shredded west country host we a _cornticke bhazard on the Grapenut Highway or the Koad 10 Velie Gathering JOR mussels’ at- the Shials_of the Ford in the Fluver Fiver: = . angled Sauerkraut vines bang. ng trom the branches of the Mot dog Trees in the vnpene- trable Jendwich jungle. , ow shayp lerged Gillette, a wid? of the razor -back family “dragging 3 prey, the nate Mair, lo tls den in The fasiness of the Barbasof mounlains, oo000000000000 0000 coO000000000000000000D000D00000000000N00NN The former is concerned with a Portuguese mammy's love for her son and that ungrateful offspring’s infatuation for an urban young one-piece-bath ing-suit-wearing nordic yelept Betty Smith, and Madam Alla Nazimova to emote to an overwhelming degree as mammy Ana Silva. The picture is called “My Soy and Jack — Piekford, Mary"s little brother, nobly in the title réle. allows does The latter house exposed the amours of an unfortunately charming and erotic young so.dier of fortune on his way home to the bride he left be- hind him seven years before. He is shipwrecked on the very “p of still another Portu- » waif who signs herself In this one the emo- ns are divided between Mae Marsh and Laska Winters, with Laska not least. It is called, if you have not already guessed it, “Tipes or SION. Pas- While all this was going on “the war” ugain broke out on the silver screen, the casualties being “Recompense,” featur- arie Prevost and Monte und the glory going to “Tur Crowpeo Hour,” star- ring Bebe (I-don't-know-how- to-pronounce - her- first -name) nless [miss my s. the world will return “Recom- un-opened to. sender Jays and clasp “THe woep Hour” to its al- rady crowded bosom, for it is far the best thing Miss Daniels has ever done, if that is pri though her work is second. to the genuinely thrilling war scenes—and when I say that I mean I got a big kick out of them. ‘Recom- PENSE,” on the other hand, should get a big kick out of me. It might be a good idea to say that most of the war scenes by in| “Recomrense” — seemed | taken from authentic war pictures, while most ex- citing ones in “Tue Crowpep Hour” must necessarily have been staged, and they were in- finitely better. This undoubt- cdly proves something. oo0n00NnDONNO OOO OO OOOOOOOOOOOOOOOOOOOONOOONOOOONNNNDNNNNND comicbooks.com