Judge — February 28, 1925 — page 28: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

4 Chicago girl, made So65 Meigs edeene last uentees’ Her mee oy x to— the: ‘New Offer Learning to Play Made Easy Free i ership Of ar Nocbligaticn. ~The Rudolph Wrlitzer Co., Dept. 2382 | ress ‘3529S Wabash Ave. Chicage ports fork 250 StocktesSt SanFrancisce reign See vas sad epoca! Pre || 5 How to get another row of seats into street cars and put the strap-hangers where they won't stand on other people's fect. Wassamat with the Cinemat? (Continued from page 19) “Cusin’s Aunt” is so trite, so pat a farce, its situations so transparent that little or nothing is left to the nimble imagination of the man or woman who pays his entrance fee. The story, briefly, tells of a young collegiate who is forced to play the aunt of one of his chums that a tea party may be pulled off with the required respectability of a chaperon. What follows is so obvious that you are always one up on the plot. The scenario runs a bad second to Syd Chaplin, who plays the aunt with the fine and delicate touch of a real farceur. Syd Chaplin is a very good comedian. I'd like to see him ride a better and less lumbering vehicle. He is so good an actor that he easily outdistances all the others in the cast. wT Great Drvipe” is good screen stuff played against the very grand backdrop of the Grand Canyon. In it Alice Terry’s pale straw beauty excites Conway Tearle’s rough and rugged manliness, heightened by an overindulgence in red eye. He lifts her up onto his hoss after a struggle with the bleary Wallace Beery, makes her a reluctant bride and for a couple of thousand subsequent feet of celluloid makes character. She, however, being a cold, blue-eyed blond, never forgets and though her heart slowly but surely succumbs to his, her mind, once made up, never changes until he takes a mountain stream—gone mad in a cloud-burst—by the neck and makes it sit up and beg. This and the birth of the baby brings her to her senses and Conway's arms. The story is well told; convin- cingly photographed. I think you'll be entertained. Is “Tue Devit’s Carco,” Pauline Starke, at times more gloriously like Gloria Swanson than Gloria her- self. and William Collier, junior, more like himself than ever before, came into their own in a very interesting picture in which virtue is rewarded with a sock in the eye and hypoc- risy is knocked for a coupla cocked hats. Wallace Beery. in a short strip of film toward the cad of the picture, does the best acting of his career. Raymond Hatton, too, has only a few minutes in which to score but he does it beautifully. The picture is a study of inverted values, and is well done. Unless you're just a big bigot—one of those people who wouldn't like any moving picture just because it happened to be a moving picture—you'll like this one. ——] comicbooks.com