Judge — January 10, 1925 — page 24: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

otect your gums and save your teeth UST as o ship needs the clos- est attention under the water- line, so do the teeth under the gum-line. If the gums shrink from the tooth-base, serious dangers resul. The teeth are weak- ened. They are loor ened. They are exposed to tooth base decay. gums themselves tender up. They form sacs ‘wach become the door- waysof organic duease for the whole sysvem. They disfigure the mouth in propornen as they recede Forhan's prevents this, gurm-decay called Pyor- tacks (our out of five peo ple over Forty. Use Forhan's every toothy brush time to pre- serve gum heakh and tooth wholesomeness. Tender gum spots are corrected. The gum- usmues are hardened and wgored to support sound, unloosened teeth. Forhan's is used as dennifrice, though no dentifrice possesses ts pecular gum-nswe action: If gum shrinkage has already set. suart using Forhan's and consult a dentst un mediately for special treatment In 35¢ and 606 tubes at all drug pio the Unies ares FORHAN CO. ‘New York Forkan's, Lid. Montreal ARE YOU LISTENING IN? ON JUDGE’S RADIO PROGRAMS FROM Station WGBS (New York City) 316 Meters Every Wednesday Night Norman Anthony and George Mitchell, Broadcasting EDDIE CANTOR | SAYS | ure I'm willing to be one of | your Editors for the Theater | Number of Jupce which is coming out February 21.” Another Round (Continued from page 10) dienne and, what is more, she to negot able te her comic effects with a very great | oof charm. 1 average young comedienne may have skill. but pretty: generally she is quite deficient in soothing attractiveness of manner and personality. This. not the case with the little girl, There is no touch of hardness to her comedy; it is thoroughly il and ingratiating. Sidney Amer, who plays opposite he still the monotonous performer of yore: there is no more shading to his work than there is to the Mojave desert. But the evening. as a whole, provides pleasant light diversion. II HE Moncre” isa translation of a play by the estimable H mann Bahr. But on this occasion the estimable Hermann has turned out an extremely dull opus. does the manner in which the afore- said dull opus has been staged in the Longacre Theater diminish its dull- ness. In point of fact, “The Mon- grel” provides about as unalluring a theatrical ning as the current season has vouchsafed. The theme of the play is of the killing of an old man’s pet dog and of the old man’s determined effort to gain retribution. But this theme, essentially a comic one, our old friend Hermann t s with intense serious- ness and it is not long, accordingly, before the affair gets hugely tiresome. Rudolph Schildkraut, papa to Joseph, has the star role. T observe that the daily gazettes wax enthusiastic over his performance. but in this enthusi- asm I have not the good fortune to share. The Schildkraut is a sompetent actor and one of very wide experience, but it seems to me that in the present instance his acting is completely obvious, entirely of the cut-and-dried order, The play has been staged with an ax. Il ymond Hitchcock again reveals himself, as he re- vealed himself years ago in Richard Harding Davis's “The Galloper,” minus a merry-merry background. I like Hitcheock better with such a hackground. His is the type. of comedy that seems to go better when. it is delivered in front of a dozen girls with bare legs. Ina play with- out girls and music, Hiteheock lacks something. This lack is clearly apparent in fooflickus in question, although it may be as much the fault of the dooflickus as it is Hitchcock's. For he Sap” is measly stuff; a cheap exhibit with nothing nother of ein the but the author, Prof, William A, Grew, al- though he has doubtless seen “The Show Off.” has not assimilated any of its secrets. “Candida,” or's Theater, née the Equity Players. is a fine thing. The old play is still vastly engaging and in the + role, the highly talented Katharine Cornell gives a perform. ance rich in’ tender loveliness. Nothing better than this perform. ance has been seen on the local 5 form this season. The March of Richard Bird is much too ere overstressed, however, and at times imperils the play. But it would more than that to spoil this search- ing and delightful comedy. It. re- mains one of the truly beautiful things of our modern theater. He Doubted It An elderly tleman who h: never seen a football game was per- suaded by a young enthusiast to attend one of the minor gridiron contests. “Now * said the young fellow as the game was about to start. “you itement for a lars than you ever saw y will see more ¢ couple of before. “LT have my doubts about the replied the — elderly gentleman. “That's all my marriage license cost me. —Boston Transcript sas He—I was afraid you'd scream when I kissed you. She—I didn’t dare. Mother was in the next room and might have heard me. —Answers A New York man has invented a saxophone which plays automatic- ally. The coward! —London Opinion Soe A Belated Belle “Maud se up-to-date girl.” “Well, she isn’t. She's six years behind in the matter of birthdays.” —Boston Transcript ms to be a thoroughly comicbooks.com