Judge, 1925-01-03 · page 32 of 36
Judge — January 3, 1925 — page 32: what you’re looking at
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I Have Found Out How to Get Rid of Superfluous Hair At Once Here’s the Secret had become utterly discouraged with a heavy way to get rid of of, electrolysis, 3 tised remedy, but all were disappointments. I thought it was hope- less until there came to me the simple but truly wonderful method which bas brought such great relief and joy to me and to other women that it really cannot be ex- reseed in words. My face is now notonly fectly free from super- fluouahairbutis: sodscttass baby’ plain to any woman who will write to me. different from anything you have ever used — not ‘@ powder, paste, wax or liquid, not @ razor, not electricity. It will remove superfluous hair at once and will make the skin soft, smooth and beauti- fully attractive. Its use means an adorable ap- pearance. And you face the brightest light— the most brilliant electric lampe—even the glare of sunlight joyously. With this method, used according to the simple directions I will give you, your trouble with super- fluous hair is over. will never with that ugly growth to disfigure your face. ‘ So overjoyed was I 4 with the results this method brought to me that I gave it my own pame—Lanzette. Send for Free Book A book that tells just how this wonderful method , id of superfiuous, hair ie free upon request, Bent send = penny just @ letter or post card. Address Annette Lanzette, 68 W. Washington St., Dept.1273 Chicago, Illinois. We Wve Teach @ COMMERCIAL ART Conor pany the largest Commercial Ros Organization ithe World offers you a practical training, based upon twenty-five years of success, This nationally known organization each year produces and sells to advertisers over 15,000 commercial drawin; This well paid profession equally open to men and women. ‘Home study instruction, Get Facts Before You Enroll in Any School ‘Ask the Advertising Manager of the leading pats chews 8 wi a four cents in stamps for illustrated book telling ‘of the success of our students. MEYER BOTH COMPANY Michigns Ave. ‘CHICAGO, go Ld Note—To Art and Eagroviag Firms: Soeur meng oor sradeaten, Write Traveler—D's Proud Guard: es, sir. ou call this a fast train? “D'you mind if I get out and see what it is fast to?” A Storehouse Duo (Continued from page 10) makes love to his aunt's niece, May- belle, and declares that the psyc logy of sex is not what it was in the old days before Josie Mansfield bit off General Beauregard’s ears. A storm breaks and in the excitement the novelist’s wife and an Oxford profes- sor’s fiancée trip over a bottle of Dewar's and allege that Ashtabula, O. is not what Gerhart Hauptmann claims it to be. All ends happily as Little Eva takes the arm of Marie Antoinette and kisses Fatty Arbuckle. This, as I say, was my impression of the first two acts, supplemented by an impression of the third vouchsafed me by the man who painted the scenery. I may, however. be a trifle unfair to the author, as one of my sme that he got a ; npression of what Mr. Robinson was driving at. This colleague tells me that, as he made it out, the plot had to do with a novelist who could no longer get the thrill of inspiration from his wife and who therefore went in for a lady house guest. According to my colleague, Uncle Tom, Little Eva and Brander Matthews’ chambermaid — didn't figure in the plot at all. Itwas Robin. son Crusoe, Al Woods and William Allen White's colored laundress. T have seen some dismal ones in my day, but this “Artistic Tempera- ment” very nearly tops the list. “T © Man tn Eventno Crotnes,” by the MM. Picard and Mirande, was a light French farce- comedy that Henry Miller played as —London Mail if it were a sudden announcement of his mother’sdeath. It accordir stood not the slightest: chance of theatrical success. Our old friend Henry is so able a producer and so experienced an actor that it is diffi- cult’ to understand how his foot slipped so badly on this occasion, ‘The play itself was very poor stuff, but his direction and acting actually " it seem poorer than it was. French farce-comedy of this sort calls for extremely skillful: playing. If it does not get it, it is appro: mately as effective as the law against Zz pocket flasks. The treat- ment it demands is of the touch-and- go species. Its actors must play it as if it were a tissue paper hoop through which they jump back and forth. Mr. Miller played the present sample in the spirit of a disabled trapeze performer. He went through all the preliminary shouts; he rd his hands on his handkerchief; he posed himself peri- odically for some grand feats; but he performed no tricks. The trapeze always swung tauntingly far above him. What is more, the M. Miller's hoarse, wop Apam—Something tells me we ought to lay off these pippins. Eve—Don't be absurd, Ad— that’s nothing but propaganda. comicboo! — ks.com