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Judge, 1924-11-08 · page 32 of 36

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Judge — November 8, 1924 — page 32: Judge, 1924-11-08

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= more popular ~ AA graceful slender girl holds a fascination which only slender ‘rome have, Men admire a youthful silhouette. Instinctively, they are drawn towards the woman whose figure is graceful and shapely. That's why slender girls are always popular. But why worry about being overweight? It’s easy to reduce. Use Marmola Tablets thousands of men and women each year regain healthy, slender figures this way). ‘These tablets will make you slender again. Try them. No exercises or dicts. All drug stores have them— one dollar a box. Or they will be sent in plain wray postpaid, ig by the Marmola Co., 1719 Beneal Mo Idg., Detroit, Mich: MARMOLA Prescription Tablets ‘JtePleasant Dey tFdice BiLLPOLDS Rasorted Modes Exclusive gift! Brown or ma- roon morocco-black oF with cooling, pores “Mentholatum Erminie—Do you know a good fortune teller? Flora Lee—They’ve got to be good when they hold my hand! Once again our champion Fifty-fifty contestant, Mr. H. J. Francis, of 108 S. Second street, San Jose, Cal., Therefore, the $25 Prize for Jupce’s Fifty-fifty Contest, No. answer. has come through with the best 40, which was announced in the issue of October 4, 1924, goes to him. This is getting to be quite a habit with Mr. Francis and Jupce again con- gratulates him. The Sinless Cinema (Continued from page 19) to fall in love. Perhaps not. The female is responsible for the chivalric element in the male that leads him into the grand and gaudy gestures that so frequently lead him into 102 per cent. of all his troubles. But why cavil? Richard in this story is fought to a battered pulp. He wins Jacqueline. That’s what he wants. Dix is a very sympathetic figure in this overcharged romantic tale. And if Richard is himself so is Miss Logan in a part that gives her little oppor- tunity. Gregory Kelly, a newcomer to the screen, for me at least, is a worthy addition to its silver sheet. George Seigman is’ a compelling villain. Yes. It’s a good picture. Lots of fighting and gobs of action. * * * Ix a thoroughly artificial photoplay called “Madonna of the Streets,” the artful Nazimova returns to, the screen. The story (taken from stock, No. 12A) is the one in which a design- ing and luxury-loving woman sets her boudoir cap for a man and his millions, lands him and then is con- verted by his love for her to love him. “From Riches to Rags for Love’s Sake” is the idea, my dear. It’s one of those you know me altruism kind of stories, Nazimova, with her consummate art, makes the plot look like an old glove. It’s a great relief to see so fine an emotionalist with so well equipped a technique, with so large a command of subtle reserve as this little boyish- formed woman in these days when beauty is little more than screen deep; when cinema stars shine mostly from without and generally without anything but outward glitter. Milton Sills, too, has something back of his face. He plays with his usual sincere forcefulness, In spite of itself, “Madonna of the Streets” is interesting but you're to thank Nagmuoye for it. * * AS a piece of landscape Spain may . always be relied on to come through in the pinches. As a back- ground the foothills of Spain put their best feet forward. In particular the scenery of “The Bandelero” saves the picture. De Cordoba’s and Riia Rossi’s names are printed in capitals onthe program. Renee Adoree, too, is in the cast and these three good actors give creditable performance but the scenery is easily the star! comicbooks.com