Judge — September 6, 1924 — page 28: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Must Men Fear 40? DICAL, authorities agree, that 65%, of nearly M* tra-thirds. of all je idle age, are ng back, feet and. legs, frequent rently, sings: pains, nervousness Tack ity. Bu Science knows that thousands sutter needlessly. For a member of the American Association for the Advancement, of Sclence as diecov« Dew drugless hygiene that usually DI Gland to its normal functioning. Riready Wt’ hae been Used, by more than 15,000 men Doctors, Statesmen eachers, Bankers, Lawere men In every walk of Iife— with ammnafag results FREE BOOK 11 you will mail the coupon below you mill get, ‘wrapper, a free teresting every man should ‘But send immediately. tor the edition of this book Is limited: addres: E ELECTRO THERMAL COMPANY 6937 Main Street, Steubenville, Ohio Please send me Free. and without obligation, & copy ur booklet. “Why Many Men Are Old at 40. Stalin plain wrapper. State. . s Angeles, cat STUDY A AT Fie ese Sh A Sese Eee Shenae =" aes eee Se Fe ee University, Dept.982-L, Chicago EVERY READER OF JUDGE might have the print of a famous drawing, but only one could have the original! Judge’s Originals are by the leading artists in the country and can purchased at small cost. Simply specify sub- Ject of the one you like to us and we will do the fest. Judge's Art Department _ 627 West 43d Street New York City If your skin burns AFTER SHAVING massage freely with cooling, healing “Mentholatum Write for free sami Mentholatum Co., Buffalo, N. Wichita, Kans. | | semble They're Off! (Continued from page 20) automobile chases after another auto- mobile and the one in which, during a great bull, the hero walks out onto the veranda and looks sadly up at the sky— and these scenes will doubtless be duly incorporated in it when it reaches the screen. In the theater, aside from a couple of well-handled episodes, it tells a story all too familiar in an all too familiar manner. The play about the wild flapper, the philandering bachelor, the father who makes a sexual fawz pas and the humdrum mother who sets out to show her family that what is sauce for the gander and the offspring goose is not necessarily apple- sauce for the mamma. goose, is hardly one | of considerable novelty. To make the theater swallow it, several barrels of ingenuity are essential, and the present authors have come along with flasks instead of barrels. ‘They have con- trived a secondary lift or two, but in the main they have relied upon drama where the comedy note might have saved them. Mr. Selwyn’s staging has been well managed. The best acting of the evening is contributed by little Helen Hayes. The rest of the company acts with all the naturalness of « box of nose powder. I “sorte.” the music show on view sN* at the Shubert, is amusing stuff. ‘The average book of the local music show generally makes nobody laugh but Cain, the storehouse impresario. The book of this particular show, on the contrary, performs the rare feat of making its audience laugh. The basic story of the libretto is, of course, the usual and banal, thing, but somebody who happened to be hanging around when it was written managed to lodge in it a very tasty and inspiriting succession of nifties, wise-cracks and bits of buffoonery. The result is a welcome loosening of the old face muscles. Andrew Toombes and a gent named Richard Skeets Gallagher prove them- | selves diverting clowns, and Roy Royston is an engaging juvenile. Over the talents of the star, Miss Elizabeth Hines, I find myself, however, unable to grow unduly excited. Nor are the ladies of the en- likely to keep Ziegfeld awake nights. It is the comedy that makes the | show the diverting thing it is. IV . Davin'’s Dap,” is, like near-beer, an adaptation from the German. ‘To go to Germany and, with all the good German plays to choose from, to bring back this one is somewhat akin to going to Deauville to meet one's wife. It is likely that during the forthcoming season we shall hear periodic allusions to the exhibit by way of pointing out the low level to which German theatrical taste 26 First Crry Kin—Gee, Jimmy, looka th’ boid! Seconp City Kip—Gosh, yes! Wonder whose clock he’s out of. comicbooks.com