Judge — May 3, 1924 — page 27: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Plutocrat (showing guest over hi idea of my own. Interesting, ain't it? Mustcomepy INDEX Dror Newper One: A slight: misunder- standing with his fiancée ten) min- utes after the curtain rises causes George CompLrrr Prior E. Porgey, a wealthy young clibman, to burst into a song in whieh he that he foreign country in search of an ideal mate. During the travel urkey, ANOUNCes will visit every course of the evening we through Hawaii, pan and var- with Paris, George Fazzland, s where he ions other interesting pl makes vocal love Lo many different kinds of damsels, When, globe and a half of trotting, returns to his native land he finds that his own Ameri- can Girl is the best girl after all. Prite, but reliabl an Stockings, a de ter an hour George pure sof cighteen summers and hard winters, sits back country not a few stage cow whilst two dozen nd girl friends, all dressed up in silk and satin overalls, ct ectera, lock arms, dance in and out of the old red barn and try to convey the pression that farm li al choruses of of her farm 1 im- is tough by singing he Milkean Blues.” An automobile hom then announces a new arrival, It is a theatrical manager (brown derby. s and everything). who has come to persuade Susan to accept, at three k, the title role “Black. thousand a we in his next Susan.” Hiram, picture great. success, eyed Susie's sweetie, steps into the and tries to dissuade her from accepting the gentleman's generous offer by explaining that there's a broken neck for every light on Broadway. ‘The stage darkens, and, as the spotlight ope ator s new place)—Now, this is a little A few o’ my income tax receipts. tries to yodels her. the fair milkmaid Will never forget her After which Sue and Hi go into their dance, Ne . Susan is a riot on the stage and when we next meet her in the dressing-room of her th low that Romeo. she rustic fless to say er, her weekly the Sixteen chorus men, in tire, are without storming the door in the belief that it leads to her heart. ‘They are dispersed by the salary nightly evening greatly execeds semi-fort- sipts. stage doorman, As Susan emerges from the theater, a handsome, well-dressed stranger ap- himself. Tt is (You remem- proaches and. introduces Hiram, now a millionaire. ber that little behind the Well, Hiram poured oil on it to exterminate the mosquitoes that so both- ered the summer boarders, and a pro- motor, passing by and remarking the oil on the water and thinking that the land contained oil, from Hiram for a million cash.) Exeunt pond barn? had Susan and Hiram. TImme- diately after the wedding (which brings the entire the stage) bride and surrounded — by friends who throw rice and other things. The rejected suitors remain in the back- ground and throw fits. Curtain, Turer: What difference does it make? As Shakespeare meant tos show's the thing—not the plot. R.C. company on groom are B. rd “Clever dog? say to him, * T should say so. Are you coming here or aren't he comes—or he Tit. Bits, London. you?” doesnt.” had purchased the land | the | “The | | rt Earle E. Liederman as he is to-day A Slap in the Face With a Cream Puff Js not @ man’s way of fighting. Neither can vou doa ovouldit make tried, a vome-back no matter how they THIS IS A BIG DAY FOR YOU Don't put this off anos the best of Come on, Wet the day 3 It out 10 De; why dida't'T start this long ager LET’S GO Why waste time over these things. You want muscle You want strength. You want liye What you want, Be the man you have always wanted to be. Send for my new 64-page book Muscular Development IT IS FREE Ut contains forty-three full-p graphs of myself toning pupils L have pitiful weaklings, nd w real \uspiration to vou, nd through, AI cost of wrapping This will not ob ke of your future healthy of. Send today— right now before sou EARLE E. LIEDERMAN Dept. 3005 305 Broadway, New York City EARLE F, LIEDERMAN ~—— Dept. 3005, 305 Brondway, New York City Dewar Wh 106 mead ane zation for which you are to on my part whatever, 3 Museular Development. Name