Judge — March 1, 1924 — page 27: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Weary Infant—For th’ love o’ Mike, Pop, is that the only step you know! ays, published separately, by vari- ithors, and selling for fifty cents One of them is Booth Tarking- ton’s “The Trysting Place, sort. of “Seventeen” in one act. If it isn’t amus- ing on the stage, then I have been going to the theater for thirty years in vain. An- other, which we have just picked up and read, is ‘*Pierrot’s Mother,” Hughes. The set is simple. There are only three characters. The emotions are | not complicated. Yet it is touched with graceful fancy, and if tactfully staged, with a pleasant high school boy and girl as Pierrot and Pierrette, could work a spell of | delicate charm and wistfulness. “Where can we get good play Good Lord, you can get them from Stewart Kidd, enough to last you for a generation! And Stewart Kidd publish only a tithe of the excellent plays available for amateurs. If you continue to put on “Aaron Slick of Pumpkin Creek” it is merely because you don’t want to do anything better. by Glenn Ms having gone back to the Congo jumgle and the tom-tom beat, the | dance having gone back to the primitive | capers of the savages, why shouldn't the stage scramble down the ladder of evolu- tion (if Mr. Bryan will permit us to em- ploy the word), and join in our Twentieth | Century discovery of our ancestors? Ken- | neth Macgowan rises to reply, “No reason whatever, a book, “Masks (Harcourt Brace & Co.) which sets forth some of the facts and theories regarding the use of masks in primitive worship, magic, and play, and illustrates it with page after page of truly superb illustrations of masks from all over | the globe, from Vancouver Island, the Congo, China, Japan, Siam, Greece, Egypt, and soon. It is Mr. Macgowan’s a, We gather, to prepare us in this man- | ner for the use of masks in our modern | theater. Indeed, he has already used | some in his production of “The Spook So- as O'Neill used them in “The Hairy All we can say this far down on the | page is, that we know some actors who | would look better in a mask. But we| think it will require some persuading to | induce our younger actresses to wear them. They appear to be fairly satisfied with what they've got. and produc and Demons,” They were going out on location. 1 “Tell the scout to locate a hydrant,” garden hose. Yes, sir.” mes, you have the watering pot?” “Yes, sir.” The big boss happened to be passing | and inquired: “What's up?” | “We are going to film ‘The Tempest.’ ” Earle E. Liederman The Muscle Builder Show me the man who doesn't want musele.with hy TH show you a man who is for a wooden box—he' A’ body without musel foundation—a little storm, a ead and THE WHOLE WORKS I build musele—good, big, sold musele fellows knock this idea if’ they want and 1 guarantee youll like it, T' put an 1 you that can be made pliable one second and An arm that will be nd any hind of skillfal I increase the stze of first 30 days | VM A full. deep chest sized load of nd vou know what hick throug over with vitality around your heart and ¢ 3 id spinal column that a wild cat. Some wise crac Shape. ‘Th T want just 90 days and m «them, ‘ou ready? Send for My New 64-Page Book MUSCULAR DEVELOPMENT IT IS FREE It contains forty-three full-page photographs of myself prize winning pupils 1 have nd fnsplration hrough and througt I nd, it Is) all, but for the ‘our future health and ness, do hot p Send to-day—right now, before you turn thi EARLE E. LIEDERMAN Dept. 3003 305 Broadway, New York City EARLE F. LIEDERMAN, Dept. 3003, 305 Broadway, New York City copy of your latest book “Muscular Development.” city Sta (Please write or print plainly) comicbooks.com