Judge, 1924-01-12 · page 24 of 36
Judge — January 12, 1924 — page 24: what you’re looking at
A restored page from Judge, 1924-01-12. Page through the whole issue in the reader above.
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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Aspirin Beware of In Imitations! Unless you see the “Bayer Cross” on package or on tablets you are not getting the genuine Bayer Aspirin proved safe by millions and prescribed by physicians over twenty-three years for Colds ‘Toothache Neuritis Neuralgia Accept “Bayer Tablets of Aspirin” only. Each unbroken uge contains proven directions. Handy boxes of twelve tablets cost few cents. Druggists also sell bottles of 24 and 100. Aspirin is the trade mark of Bayer Manufacture of Monoaceticaci dester of Salicylicacid. ‘YOU can make $15 to $60 weekly in your ‘time writing show cards. No canvi or soliciting, We instruct you by our new simple Directograph System, supply you with work and pay you cash each week. Write today for full particulars and free booklet. WEST-ANGUS SHOW CARD SERVICE LIMITED ‘Authorized Capital $1,250,000.0 102 Cuinene Building, Toronto, Can. Salesmen’si'os10aweek Selling our virgin wool Sa and overcoats direct to ester, All one price $31 All wool? piece summer suits $21 Easy oscil, Protected tarritors. Comsalealon J.B. SIMPSON, th. “Dent. 709 843 W. Headache Lumbago_ Not toys—but high-grade practical instruments for Symphony of Jazz orchestras. Great for solo work at Club, Lodge or Legion gatherings or home entertain- ‘Anyone can play with a few simple lessons, furnished with each instrument. Musical pitch F 0-1 pal pte! ‘ork Gesrsehese Jazz o ete Free 7 Trial A Tersezh saree t At guleky snd spay return | tism. F THE great open spaces have done nothing else, they hold out a haven of agitated rest to those of us who feel the urge to renounce the rigors of hectic New York Phe Call of the Canyon” from. a_per- sonal viewpoint. ‘To us who watched the picture with a mind as open as the great spaces, we seem to think that the Canyon has nothing on the city for jazz. We s believed that the woolly - bit as wild as the « The call of the saxophone is no less disturbing to peaceful slumber than the purr of the puma. The two-gunman has nothing on his more sophisticated brother in arms who frisks you on The Avenue. Either your pockets, not to say your body, There is, to our naive way of thinking, little choice between the dance of death as performed from the end of a Jrope or on the polished floor of a ball | room. We have arrived at an age when, if we feel well enough, lif seen to smile us through a rainbow. If we are en- ng poor health it frowns upon us through a cloud as dense as a moron. Life is life the world over and we don’t care a mark whether the East is East or the West West or whether the twain shall ever twine. But when a man goes West to dodge the excitement of the ball-room girls and runs into shooting irons and rapids and bites his way through the teeth fa gale and wants a girl to leave her er tub and Pekenese breakfasts, in him, we are for the girl who doesn’t, unless she feels that life for her is where he is and that she can’t somehow live outside the magic circle of his magne- Which, of course, is again some- thing different, for, if that’s what’s the matter with you, hell itself is home and mother to you if he is one of its residents. Richard Dix is he and Lois Wilson is she and both are their accustomed romantic yMUSSEHL & WESTPHAL 455 8. greatest invention of the age.” 22 THE SILENT, NOT TO SAY DUMB, DRAMA by George Mitchell selves. The wind storm sha stellar honors and the mountainous background of the West vies with the confetti fore- ground of the East. We are inclined to believe we didn’t care much for the pic- ture. PEAKING of backgrounds, “The Eternal City” offers all of Rome and be it ever so crumble there's no place like Rome. In this interesting story, written by the late Marion Crawford and jazzed to meet the modernity of the World V we are presented with a deal of be autiful photography The Eternal City, we are taught to believe, wasn’t built in a day, but it was builded better than they know how in these « of arch-architecture. Rome, if we may pause long enough to report, is a pretty good example of the builder’s craft and pictures of its general makeup are all but certain to please the eye. When you add to that the efficient psychology of a story-teller of Crawford's experience, you are well on the way to a good picture. All that seems additionally nec a good cast and this, if you have any faith in our judgment, is pro- vided. Although we have never felt our pulse to rise above the boiling point in the screen presence of Bert Lytell, we are man enough to hand him a good per- formance as the young patriot. Barbara La Marr is alluring to the optic sense, Lionel Barrymore his usual masterful per- sonality and Richard Bennett adds a touch of artistry to delight you while the others are off stage resting themselves for their next emotional onslaughter. But it’s the beautiful background and atmos- phere of this picture, we feel, that will leave a pleasant memory with you. “T HE Man From BropNeys” gave us a pleasant surprise. We didn’t ex- pect it to be good. Vitagraph takes a dose of vitamines and peps up every now x | (a Jones, who has never listened to the radio, says, “It’s the comicbooks.com aa"