Judge — May 14, 1921 — page 26: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

SEXUAL PROBLEMS OF oper rk. a scientis Only Part of Contents 1 Relations Between the Tae Wit sand Mans Iahe: No Da: nding Their The price of this book is only $2.00 sent prepaid. Only by special arrangement with the author are we able to sell you this book at such a low price. w while we still h On nce. Don't TRUTH PUBLISHING co., 1400 Broadway New York Drown by Carsten 1. Ganoe “Wo are you?” “['M THE FELLOW WHO ALWAYS TRIED TO sre HOW Low I COULD FLY OVER A CROWD AT ANY OUTDOOR: SPORTING EVENT.” “WALK IN AND TAKE THE SEAT OF HONOR.” Drawn by Cant Axo “T won WHY THEY CALL HER THE PER- FECT WOMAN? “Wert, | reckon IT's BECAUSE TALK OR THROW THINGS.” SHE CAN'T Your Fortune By Barrene N the One Hand When you hit the bottom, As you will some time Pick up the gold that’s on it And climb, son, climb Loosus Down there at the bottom, Always there's some light. And if it’s only stars you see— That's all you see at night So, when you hit the bottom, As you will some time, Make sure your star’s a lucky one And climb, son, climb. On the Other Hand: When success is in your grip, And you've reached a height That makes your friends look up to you As to a wondrous sight, Look out, old boy, go easy Stop, look, listen, watch your step: For you're liable to gef dizzy, And they're liable to get hep: Troglodyte Love Songs By Cirment Neolithic Age, and Mitpren Wooo 19,210 B.C. He—Caught! You're not hidden behind that big tree-limb, skinny old bird, you! She—Beat it—you pug-nosey, short-winded, puffy ornithorhynchus! He—I'm not so fat I can’t climb up and grab you. Come to your baby! She—H you come closer, I'll call for my papa —he'll bite ur car off! He—Nix on that papa stuff; I've heard him ank you. He'd love to lose you. She—Let go my leg, cr I'll pull out your whiskers! He—Yield, or V'll bash all your landscape to jelly She—Papa! O papa! He—Cut out the scratching! Long hair's made for dragging dames to my cavern. She—Brute! Take your teeth out! . am a lady! He—Come to me, kiddo! 26 gi Why Be a Wall Flower? Now you can learn dancing. in your own home, by mail from the i PME 250 | Address ARTHUR MURRAY SYSTEM OF DANCING Dept. 195, 290 Broadway, New York Greenwickvill Age, 1921 A.D. She—You're only hiding behind the Conven- tions. Free souls must mingle! He. you feminist, Freudia y She—Life can’t restrain the unfettered libido. Come to your soul-mate! He—If you should win me, mamma would be angry—no more allowance. She—We must cut loose from all shackles and shekels—we're for the future! He—Don't squeeze my hand—it's advanced, and improper} She—Yield, ‘ere I completely! He—Mamma! O mamma! She—Cease your excuses! Long hair's to drag you to my apartment. He—Don't mess my shirt! stayed on Main Street! She—Come, my adored one! anarcnist, smash the Conventions . Tf Vd just Draven by Pave Remer Surer-car ror Roap-nocs—Desicxen to OVERCOME THE PRESENT INABILITY TO COVER THE ENTIRE ROAD. WALL-NUTS James a Flagg This in full mounted on a clever picture, TIXI4. heavy colors, mat, ready for the frame, sent prepaid for twenty-five cents. Judge Art Print 225 Fifth Avenue New York City comicbooks.com