Judge, 1920-10-02 · page 21 of 32
Judge — October 2, 1920 — page 21: what you’re looking at
What you’re looking at
This page collects humorous college-themed content mocking intellectual pretension and courtship customs of the 1920s era. **"The Lament of a Highbrow"** satirizes educated snobs who disdain popular entertainment (cinema, comic strips, musical comedies) that ordinary people enjoy, yet feel trapped by their own superior tastes. The writer admits to being "the last highbrow representative of my race"—a self-aware joke about elitist alienation. **"At Last!"** uses extended innuendo to describe a young man's gradual intimate progress with a woman over years, climaxing when he finally sees her ears with her hair slightly loose—a risqué joke for the era about achieving physical closeness. The shorter pieces mock campus dating rituals: the "Elevator Dance" (unclear reference), complaints about physical discomfort from revealing fashions ("Osh Kosh" chair joke), and the contrast between philosophical arguments against women (Schopenhauer, Nietzsche, Wilde) and romantic desire. The tone throughout is lighthearted mockery of both highbrow pretension and youthful romantic fumbling.
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WITH THE {rrepressible, The Lament of a Highbrow It is terrible to be born a highbrow, but it’s something a man can’t re: help. L have often tried to break away from this hereditary handicap and enjoy some of the things human beings enjoy. I have attended a cinema performance and. hav hundreds of people rocking with glee over some episode that meant simply nothing in my life. Probably not one of them had read “The Four Horse- men of the Apocalypse,” or “Mare Nostrum.” And musical comedies and bedroom farces! Disgraceful! I have scen men and women laugh- ing at comic drawings. Even, and 1 blush to admit it, [ have caught my young brother reading a book called “ Pigs is 2 and chuckling mildly to himself. Perhaps [ am to be the last highbrow representative of my race: While the ribald songsters, the slang writers, so-called comic artists and slap- stick comedians continue to entertain and make the world laugh, I plod along my weary way and preserve my tradit I shall retain my lofty viewpoint, my exalted perspective and continue my endeavor to enjoy the unenjoy- able— But gee! It’s a tough life, I'll tell the world.—Pennsyloania Punch Bow! seen Reminiscence ‘ather, what does redundancy mea » my son, is a mistake in ar one commits when he speaks Cornell Widiw. gramm of retired bartenders.” od Description Osh Kosh—That’s a vampy’ little chair you've got there. Gosh Frosh—Whaddayamean? Osh Kosh—Bare legs, a low back, and not much upholstery.—Afan. ech. Voo Doo. WE FIND A Seat?—Princeton Joyous, “Dip you HEAR AnovuT THE ELEVATOR DANCE?” No. “Irs a cixcu. No sters to 11.""—Yale Record. Repartee “Well of all the nerve ping his face when he kissed her. “Well, then,” he pouted, ‘if that's , you feel about it, get off my the w Towa Prive Shy Young Thing—I can't STAND Kisstxc! Vetcran—V' Lt. Absit 17 18 A BIT TRYING. iger. 2 she said, slap- COLLEGE WITS Irresponsible At Last! He had known her for years. He had seen a good deal of her—in more ays than one. He had sat across the parlor from her; she had, of course, crossed her legs; he had seen her trim ankles. her... He had seen her at the seashore, wearing her tantalizing, silky hing suit, with its short dress, with its cute little slippers, with its . He had scen her in her traveling suit; in her cape; in her house-dress; inher... He scen her at full dress affairs, and considering that these dresses are as they are, he had, of course, seen... But it was not until a long, long while that he approximated the ulti- mate. It was just a parlor date—one of many—which did not give promise of being any different from all the others. But one thing will lead to another! Finally, by a little slip of the arm, by a little jerk of the head, a little this, and a litle that, some hairpins came slightly out; her hair hung a little loosely at the sides; and—essence of compromise!—he saw her cars! —Pennsyleania Punch Bol. Manifesto of a Spring Lover Ihave read Schopenhauer, who says women are unxsthe I have read Strindburg, who says are impossible; read Wilde, who says they are unnecessary; I have read Nietzsche, who says they are unimportant; And I have read any number of birds, who say they are pretty, vain, and deceitful, BUT, dear, you know that Suave I don’t believe them!! —Ivwa Frisol, comicbooks.com