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Judge, 1920-09-04 · page 6 of 32

Judge — September 4, 1920 — page 6: what you’re looking at

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Judge — September 4, 1920 — page 6: Judge, 1920-09-04

What you’re looking at

# Analysis of Judge Magazine Page This page contains two distinct pieces: **Left side:** A short story titled "The Kid Broker" illustrated by Gantonia O. Bea, depicting a young girl negotiating financial matters (discussing wills, trusts, and money management) with adult sophistication. The satire targets child prodigies and precocious youth who adopt adult behaviors. **Right side:** A poem "Inspired by Reading Tales of Movie Salaries" by J.P. McAvoy lamenting writers' struggles compared to film industry wealth. References include Mary Pickford, Charlie Chaplin, and Fatty Arbuckle—major silent film stars whose substantial salaries contrasted sharply with writers' compensation during Hollywood's early era. **Bottom illustration** by Paul Henley titled "Advice to Pedestrians: How to Avoid Bad Drivers" shows a bedroom scene, apparently suggesting one should stay indoors to avoid traffic dangers.

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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

< perros ~ ex O. Res id Brother UTES LONGER "NS ANYBODY! The fat girl laughed. “Men are all alike. You think the solution of your troubles lies only in your Though I dearly love combat, there hing better, far better. The forlom youth looked his question “Yes, indeed,” breathed the doubl size Juno tensely. “It is the cultivation of the will. Will power can do anything. I know. I have taken a full dose of the will course at a college which believes in it is som “You mean you are a graduate of one of these schools for fixing the will so you can put it all over those who lack a diploma?” he queried “IT are—or am. All I have to do is look a body between the eyes and con- centrate. Then I can take away their money.” . “Wait here, Gladiola. 1 will return anon with a choice specimen to try your self on,” he replied with a rush, It was rough work separating the Blue Beard from the flames but our hero just had to do it. When the anon was about up, he returned to the palms with his quarry in one hand. “Allow me to present Mr. Clarence Nimrod,” he beamed. “Mr. Nimrod meet Miss Silo. Gladiola, I hope you are as good as you said you were. I will see you later.” Then the hustling lover beat it for the one and only girl, who was leaning against a pillar, trying to find something to live for, now that Clarence’s jazzy romance had ceased to twang. The young man went to it in the old- fashioned way without any lies, poisoned innuendoes or small talk. He simply took her out ona back piazza where it was dark and kissed her within an inch of her life. demi-tasse Gre, Dor, me's TH’ paNviest yet! He's eLtp HER TEN MIN- When she was coming up for the third time, he slipped on her itching finger a diamond ring the size of a Concord grape and began to talk about garages, whether they ought to have ramblers growing on ‘em or let the stucco glare right out. She was eating out of his hand and crying, shortly after. While our young man was waiting for his girl to show up at the end of the party, he sneaked a look in the vicinity of the palms. Voices came from within the dusty foliage. Looking between the leaves our young man saw a beautiful picture. Clarence was sitting on Gladiola’s lap and the talk was decidedly jelly, with a dash of floating island. “How about it?’ asked the young man, bursting in upon them. “Huh?” asked Gladiola. “The will power stuff? The con centration business?” “Go away and die,” answered Gladiola. he minute this bold wretch came near me I forgot the combination. You see how he has intrigued me.” She turned her lan guishing gaze on the peanut in her lap. lines you thought of when you first ‘ou know—about the linnet and the honeysuckle.” ating the Alienist pu prove that my client “You said yesterday that could.”’ “You should have booked me then. Now I'm tied up with the other side.” you Inspired by Reading Tales of Movie Salaries By J. P. McAvoy HE more I toil and strive and grieve The swifter do I scem to skid; O for a movie job, believe Me, kid. Observe how easily they stab The coin that waits without the gates, The tricky tin that tintinab- Ulates. While I am just a vernal hick At this here dough compiling biz, Compared to what say Mary Pick- Ford is, Or Charley Chap, or Lilly Gish O how they segregate the soul Sometimes at fifty cents admish- Ion, too. Or Funny Fatty who sagae- Tously annexes golden piles With oleaginous sebac Eous smiles. And Doug’ who fugits here and there Impaling shekels as they flit— And how he snaies the coin and Fair- Banks it" Tt fills my soul with sad emosh To watch them grind their golden grist, Almost they make of me a Soc- lalist. MI Drown by Pact Wenty To Pepestsians: How to Avoiw Bap Drivers Apvice comicbooks.com