Judge — April 7, 1917 — page 20: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

————— YOU ARE CHEATING YOURSELF If You Don’t See CHEATING CHEATERS IT’S A WONDERFUL THRILLER ind St. Mie ELTINGE teed St, y Evenings 83° West gand S Evenings at 8.30. Wednesday & Saturday at near Broadway 0. ‘Mati Selwyn & Co. present JANE COWL = “EILAC TIME” A new play by Jane Cowl & Jane Murfin. ‘~MAUDE ADAMS COHAN & HARRI Evenings 8:15 48TH STREE Evenings 8:20 The 13th Chai LONGACRE Mats. 2S¢ and S0c. EMPIR E *irve8 SRE CHARLES PROHM. Presents A KISS FOR CINDERELLA __J. M. BARRIE'S GREATEST TRIUMPH THEATRE West 42nd St. Phone Bryant 6344 Mats. Wed. and Sat. 2:15 COHAN & HARRIS PRESENT “The Willow Tree” A Fantasy of Japan By BENRIMO AND HARRISON RHODES THEATRE, just East of Bway PHONE. 178 BRYANT Matinees Thursday and Saturday, 2:20 By BAYARD VEILLER with MARGARET WYCHERLY West 48th St., Eves. 8:30 Mats. Wed. and Sat., 2:30 WM. COLLIER In the Greatest of all Farces NOTHING BUT THE TRUTH LYRI THEATRE, 42nd Street and Broadway 2:30—TWICE DAILY -— 8:30 WILLIAM FOX Prese The HONOR SYSTEM R. A. Walsh's Master Film Drama Nights 2Se to $1.00 In New York Theatres Big Show—The Hippodrome, | The usual Hippodrome melange of marvels, with Annette Kellermann as an ttraction Harris. A clever comedy written by Maude Pulton Canary Cotlage—Morosco. Rather ordinary musical _comedy with some relieving bright spots Century Girl, The—Century. A tremendous variety show, with Elsie Janis, Sam Bernard, Prank Tinney and many other favorites Cheating Cheaters—Eltinge. Thrills and laughter mixed in a combination melodrama and comedy. Marjorie Rambeau at her best Come Out of the Kitchen—Geo, M. Cohan's. Ruth Chatterton in a charming dle in a play of ups ‘and downs—chiefly ups Das Konzert and Repertoire—Irving Place. German plays presented by an excellent stock company Her Soldier Boy—Astor. Clifton Crawford and Adele Bom land in a very pleasing musical comedy fonor System, The—Lyric William Pox presentin R. A. Walsh's film drama ° . Joan the Woman—gath Street. Geraldine Parrar in an ambitious and not unsuccessful motion-picture of the life of Joan of Are Johnny Get Your Gun—Criterion. Rather amusing farce, wherein East and West meet, happily for both Kiss for Cinderella, A—Empire. Maude Adams play: ing J. M. Barrie's irresponsible drea: thoroughly delightful performance Lilac Time—Republic. A wartime play of, by, and for Jane Cowl. Litle Lady in Blue—Belasco. A ch with the added charm of Prances Starr Love 0° Mike—Maxine Elliott's. A comedy, with music and a number of very pretty girls, which is mildly enjoyable Mague and The Litile Mi Chesterton and John and well presented bill Man Who Came Back, The tale of success against o¢ Mary Nash in the Miss Springtime— girlfal musical c Nothing but the Truth—Long picting most vividly the t not tell Oh, Boy!—Princess. house and Jer Our Betters—Hudson. with Crystal Herne Pals First—Pulton. | A comedy, by: Lee Wilson Dodd uring Thomas A. Wise and William Courtenay Professor's Love Story, The— Knickerbocker. Arliss in a comedy by J. M, Barrie Stranger than Fiction—Garrick. A farce by E. H. Soth- ern, satisfying the methods of dramatists Successful Calamity, A—Booth. A drama in which William Gillette plays up to his old time form Thirteenth Chair, The—a8th Street. A thrilling melo- drama of murder and mystery. performed by'a good cast with Margaret Wycherly starring Turn to the Right—Gaiety. A comedy of crooks and country and peach jam. Altogether a very pleasing performance Upsiairs and Down—Cort. A drama of life above-and- below-stairs, with some pleasing situations and one in particular that is not so pleasing Wanderer, The—Manhattan Opera House. A spectacu- lar presentation of the stor odiseal son Washington Square Players ‘An. unusual company. presenting a new bill of unusual one-act plays, Well worth visiting Willow Tree, The—Coban & Harris. A fantastic play {far Japan by Benrimo and Harrison Rhodes ‘rein Love—Casino, Otto Haverbach and Rudoiph ‘imi combining to produce a dainty musical comedy comedy. A rming comedy, ick, Plays by G, sworthy. Very interest Playhouse. A th with Henry He BR ani A tuneful and od sons Wode A musical comedy by P. C Kern ‘A play by Somerset Maugha: George Cause for Hysteria ‘HAT sharp, persistent rataplan, like the rolling of drums sounding a wild alarum, is caused by the heels of the able editor of The Tywoppity Torch of Liberty and Faithful Guardian of the Home and Fireside, beating on the floor of his sanctum. A short time before an eccentric subscriber came in and paid for his paper for five years in advance and remarked that it did not make the slightest durn’ difference if the editor had, in a personal mention of said eccentric subscriber, acci- dentally omitted the final “e” from his name, which was “Browne.” Thereupon, as was entirely appropriate, the scribe fell from the tripod and began kicking and convulsing, as hereinbefore mentioned. When No Longer Young Patrick Francis Murphy says: . “Old men give young men good advice when they are no longer able to set abad example.” THE OCEAN HE OCEAN is a large, restless agglom- eration of dampness which covers a considerable portion of the — earth's surface. The ocean is so wide and so deep that it is safe to asseverate there is more ocean on earth than any other one thing, with the possible exception of useless conversation. A brief examination will show that there is much similarity between useless conversation and the ocean. They both roll in huge bil- lows, cause many wrecks, make a meaningless noise, are disagreeable to the taste, are treach- erous in many places, separate friends and relatives, are connected with countless storms, and cannot be blotted out of existence. There is, however, one point of variance. Desultory conversation is made up of all kinds of sounding , but if a sounding line is used in the ocean it will show a depth which conversation rarely posse: The ocean is inhabited by fishes, serpents, submarines, and mermaids. There are two kinds of mermaids. modern and mythical. The modern are not exactly the same as the mythical. Some of the modern variety are not comely to look upon. Those who are not comely are apt to stay in deeper water than those who seemed especially designed for scant bathing suits. Those who are comely generally satisfy their natatorial cravings by merely standing where the shallow ripples of the ocean lave the beach, hoping that shallow ripples of admiration will lave their ears. Cover a mer- maid with a panoply of favorable glances and she feels perfectly protected. Fiction is replete with the ocean. There seem to be but three kinds of popular storjes: love stories, detective stories and sea stories. Life on the bounding main has been described by all sorts of writers, and each one of them knows that the sea has a salty taste. The tides of the ocean are regulated by the moon. It is not clearly understood just why the ocean should go so far out of its way to be regulated when Congress is so much nearer at hand. It is, of course, an excellent thing to have tides regulated, for if they went out and came in with the perfect freedom of an unmar- ried man, it would frequently be very embar- rassing to proprictors of seaside hotels and clam diggers. The ocean is a wonderful institution. Few are they who can gaze out upon the mighty expanse of waters without an awed fecling, and still fewer are they who can sail across its heaving bosom without an odd feeling— Stuart W. Knight. CONTENTMENT By CLINTON SCOLLARD > for me contentment lies That naught can darken or eclipse;— Blue skies that are my loved one’s eyes, And the rose-garth that is her lips! N the In these for me contentment lies; What grief for me from them to part !— The music of my love's replies, And the white shrine that is her heart! F barre wide tial prop thrill that for ¢ Oc bum sneal not beca will prob in ev will away work they He | there prim to th E one all his f fami off upor chan him comicbooks.com