Judge — March 17, 1917 — page 20: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

nd St., near Broadway 8.20. Matinees y & Saturday at 2.20 Selwyn & Co. present JANE COWL »“EILAC TIME” A new play by Jane Cow! & Jane Murfin. Reway. soth St, Evenings 8:00 E M P I R Mats. WED. & SAT., 2:30 CHARLES FROHMAN PRESENTS MAUDE ADAMS “A KISS FOR CINDERELLA” 4. M, BARRIE’'S “GREATEST TRIUMPH” CHEATING CHEATERS A little cash You'll never miss— A happy wi An evenin; ELTINGE THEATRE LOVE, YOUTH and ROMANCE COHAN & HARRIS present CAPTAIN KIDD, Jr. By RIDA JOHNSON YOU COHAN & HARRIS THEATRE ‘West 42nd St. Mats. Wed. (POP) & Sat. 2:20 LAUGHS, THRILLS AND ADVENTURE THEATRE just East of B'way 48TH STREE PHONE. 178 BRYANT Evenings 8:20 Matinees Thursday and Saturday, 2:20 The 13th Chai By BAYARD VEILLER with MARGARET WYCHERLY West 48th St., Eves. 8:30 LONGACRE Mats, Wed. and Sat., 2:30 WM. COLLIER In the Greatest of all Farces NOTHING BUT THE TRUTH | | In New York Theatres Big Show—The Hippodrome, The usual Hippodron melange of marvels, with Annette Kellerman as 3 added attraction Canary Cottage—Mor comedy. with some reliey Century Girl, The—Co show, with Elsie Ja and y other Cheating Cheaters ind laugh’ ition melodrama and comedy. mbeau at her best Come Out of the Kitchen—Geo. M. Cohan’s. Ruth Giattertoe in a charming rdle in a play of ups and downs—chief Das Konzert Rather ordinary musical w bright spots A tremendous variety- m Bernard, Prank Tinney rtoire—Irving Place. German n excellent stock company ‘eum. A revival of an old-time conducted by Henry Miller tobe. Laurette Taylor in a charm- and the inevitable woman mewhat better than age music J concomitants tha apperta Her Soldier Boy Rowland in a very Honor System, The—Lyric. R. A. Walsh's film dra Joan the Woman—s4th raldine Farrar in an ambitious and not essful motion-picture of the life of Joan of Arc Johnny Get Your Gun—Criterion. Ra 1 West meet, happily for bot aude Adams play- ing J. M. Barrie’s irresponsible dream-comedy. A ghly delightful performance Le Houkeur, Mesdames, aad other Pr rick. A’ capable stock company” pre temporary Prench drama Lilac Time—Republic. A wartime play of, by, Cowt Lady in Blue—H A charming comed h the added charm of Prances Si Love o° Mike—Shubert. A comedy, with music and a number of very pretty gitls. whic 1 d The Little Man—Maxine Chesterton a and well p: Who Came Back, crawford and Adete musical comedy William Pox presenting plays—G. nting © A thrilling Henry Hull and A tuneful irlful musical comedy with a couple of good songs ris Dance, The—Little. A fantastic farce based o Stevenson's “The Wrong Box,” produced by Gran ville Barker cre. William Collier de- les of a man whocannot A musical comedy by P. G. Wode- house and Jerome Kern : Old Lady 31—3oth Street. A happy play of age an¢ youth, starring Emma Dunn Professor's. Love Ste nickerhocker Arliss in a come ..M. Barrie Successful Calamity, A—Booth. William Gillette plays up Thirteenth Chair, The—38th Street. ni drama of murder and mystery. performed by a good cast with Margaret Wycherly starring Turn to the Right—Gaicty. Ac country and peach jam, Altogether a very pleasins performance Upstairs and Down—Cot Lelow-stairs, with articular that is A drama of life above- and ¢ pleasing situations and one in t so pleasing. ttan Opera F y of the Otto Hauerbach a xduce a dainty mu: “City Dust.” “City Dust” is the title of a volume of by Jane Burr published by Frank ew York. This title is appropriate to much in the volume that relates to the life of the submerged, though it contains other poems filled with happier thought and more inspiring suggestion. There is a phase of inspiration, of course, in Miss Burr’s more serious subjects. All of her work—and JUDGE readers are familiar with some of her more felicitous poems that have been published in this magazine —vibrates with life and much of it is el- oquent of protest against adverse conditions. Some men think that “rocks” are the only stepping stones to success. Home Economics “NATO, I don’t want to go to no home economics lecture,” declined Aunt Susan Maria in response to the invitation of a niece she was visiting in the city, “That's all I've heard about since I come here. At first I didn’t quite know what you meant, but now I’ve got on to it and I’m tired hearing about it. Folks in the city are too stingy of themselves as it is.” “Come, you must go,” the family group insisted. “Home economics are a craze just now. soon as everyone thoroughly understands about them it will be the saving of the home, and the home is the bulwark of the nation.” ‘H’m, well, maybe,” Aunt Susan Maria, opined, “but I can’t figure out how. You are all too stingy of yourselves now.” “What do you mean by that curious remark?” her niece inquired. “Why, you're all so set on making the home economical that I suppose you try to save wear and tear on the furniture by never staying at home. I’ve noticed too,” she continued, once launched, “you're so afraid of wearing out the dishes and the gas stove that you take turns eating out in them restaurants, for there hain’t been a night since I came here that the whole nily has sect down to a meal together. “Then, your so afraid of wearing out the bed linen that you all come home very late and so don’t spend much time in bed. That's home economy with a vengency. Likewise you're so economical of your shoe leather you don’t do your own marketing, and so saving of your time you even leave the ordering to that girl in the kitchen. Another economical thing you do is to go to the movies every night in winter so you can run the furnace low and save electric bills. Then every summer you come up and stay at my house as long as you can so it won't cost you nothing to live.” “You're altogether too economical now. ‘There ain’t anything you city folks need to learn about home economics, and I don’t hanker after your notions and don’t want to hear no lecturing on the subject. I know what I see. As is usually the case when Aunt Susan Maria speaks, there was no attempt at epartee.—Pauline Eggleston Mandigo. The Real Thing Daubleigh has a new pi “They ss big one. Let’s go see it. ture on view “T've seen it “What does it look like?” “Paint.” Obscurity WEET are the uses of obscurity Which, spite cf limelight, kodak, dicto- graph, Muck-rake and yellos scoop, the hungi press, Still lets one live, exempt from public bunt, From tongues at teas, from who's-who books and such, To go about his business like a man.—M.S. 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