Judge, 1912-05-11 · page 8 of 26
Judge — May 11, 1912 — page 8: what you’re looking at
What you’re looking at
This page showcases theatrical performers of the era through a feature called "Opera Glasses"—a humorous review of stage talent. Four performers are spotlighted with their stage roles and accompanying witty verses: **Molly Pearson** in "Bunty Pulls the Strings" is praised for her cheerful performance and romantic appeal. **Josie Collins** at the Winter Garden is teased about the roses she's received, implying male admirers. **The Dolly Twins** in "A Winsome Widow" are complimented on their rare talent, with a pun comparing them to Gold Dust cleaning product twins (a popular advertising campaign). **Emmy Wehlen**, also in "A Winsome Widow," receives similar praise while the critic playfully questions whether she's genuinely a widow as her character suggests. The satire is gentle—playful observation of stage performers' attractiveness and talent rather than harsh criticism. This reflects Judge magazine's focus on entertainment-world gossip and light social commentary.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
MOLLY PEARSON, as “Bunty,” In “ Bunty Pulls the Strings.” Molly, Molly, ever jolly, Cleverly you play your part. You ‘re a foe of melancholy, Pulling strings of many a heart. JOSIE COLLINS—WINTER GARDEN. As I gaze at you enraptured Your attractiveness discloses ‘That some fellow’s heart you ‘ve captured — Else how came you by those roses ? THE DOLLY TWINS, In A Winsome Widow.” Talent such as yours is rare; If you ‘re paid for whirls and spins at you merit, | declare That you must be real Gold Dust Twins. EMMY WEHLEN, In “A Winsome Widow.” Emmy, you are winsome, truly, You re a jolly cut-up, kiddo, (Pardon slang wed thus unduly,) Tell me, though—are you a widow? comicbooks.com