Judge, 1905-09-23 · page 10 of 16
Judge — September 23, 1905 — page 10: what you’re looking at
What you’re looking at
The top cartoon depicts a conflict between **Temperance** (the woman on left, labeled "DEMOCRACY") and **Liquor Interests** (represented by armed figures on right, labeled "OHIO REPUBLICAN MACHINE" and "LIQUOR INTERESTS"). They're positioned as opposing armies, suggesting a literal political battle over alcohol regulation in Ohio. This satirizes the early 20th-century Prohibition movement—a heated national debate where temperance reformers clashed with alcohol industry lobbyists for political influence. The "challenge" caption indicates they're competing to determine Ohio's policy through electoral politics. The cartoonist positions temperance as democratic principle versus entrenched commercial/political power, presenting their Ohio struggle as a consequential showdown. The militaristic imagery emphasizes the intensity and stakes of this social reform battle, which would culminate nationally in Prohibition (1920-1933). The lower half contains unrelated humor pieces typical of Judge magazine's mixed-content format.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
CHALLENGED. Temperance and the liquor interests pick their champions in Ohio, JUST SOEAUX. PRETTY young maid of Bordeaux Was walking along with her beaux. When asked if she'd wed She timidly said, “« If you cai come up with the docaux.” IMPRESSIONISTIC. THOMAS stood beside Miss Brown, showing her how he'd draw a cow. As he did so he glanced from time to time at one grazing in a near-by yard. “This is her nose I've just finished,” he said, drawing a curved line. ° “+ And her body you just make this way," he said after a moment's observation, and added another curved line. “Now, here's her tail ;” and he placed a third curved line on the paper. He looked at the drawing for a short time, and then an embar- rassed smile spread over his face. ++ Perhaps we'd better call it a pump,” he suggested. LOOKS THAT WAY. Jaggles —“ What's the idea of teaching chil- dren gymnastics in the schools ?” Waggles—1 guess it’s to make them strong enough to carry home the big bundle of books they use.” KK wy ly 4 THE REASON. De Style—« Why does he refer to his au- tomobile as ‘she'?” Gunbusta—'* It's so hard to manage, you know.” EXPRESSIONS AT A WHY NORAH WAS WORRIED. MY MAID Norah went to consult a fortune-teller and returned wail- ing dismally. *« Did she predict some great trouble?” I asked sympathetically. “Och, mem, sich therrible news !” moaned Norah, rocking back and forth wringing her hands. “Tell me,” I said, wishing to comfort the girl. “She tould me thot me father wurks hard shovelin’ coal an’ ‘tindin’ foires fer a livin’.” “+ But that's no disgrace nor sorrow," I said, a trifle vexed at such affectation. “Och, mem, me poor father!" sobbed Norah. these noine years !" «He's bin dead CHANGED HIS MIND. 66 Q)NCE more into the breach !"said King Henry. Then he paused to soliloquize. ++I wonder if this would not be a good time for me to say a few words about the strenuous life?” But just then the French surged up and he left the promulgation of th’s doctrine to a later hero. = AMBITION. se OW." we say to the youth who is about to embark upon the troubled sea of busi- ness, ‘you must remem- ber to put your best foot forward.” “But,” he argues, “T intend to get there with both feet.” With a smile of dep- recation we pass on. Patient—«'Is there anyt"sing worse than dys- pepsia?” Doctor — Yes; to SODA-FOUNTAIN. have your wife have i comicbooks.com