Judge, 1905-03-11 · page 4 of 16
Judge — March 11, 1905 — page 4: what you’re looking at
What you’re looking at
This page contains several humorous stories and illustrations typical of early 20th-century Judge magazine satirical content. **"Both in the Same Boat"** depicts Dumpleton and Ritter discussing country versus city living—a common satirical contrast of the era, mocking urban pretensions and rural simplicity. **"Her Reflection"** appears to satirize an artist and patron discussing portraiture, possibly critiquing artistic vanity or misrepresentation. **"Wanted a Correction"** involves a lady complaining about a newspaper's inaccurate reporting of her costume—likely mocking both journalistic carelessness and society women's vanity. The bottom illustrations labeled **"His Final Extremities Came in Handy"** and similar captions appear to be visual gags, though without clearer context, their specific satirical targets remain unclear. The overall tone reflects Judge's characteristic mockery of social pretension and everyday absurdities.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
JUDGE'S FAY TRIXIE FRIGA cor 1 to Kankal From Ly atham to Squeedunk, I never have star! e you'll fly, {THE RULING PASSION. HE. little crowd of wraiths hy 1 together in Charon’s boat, One amon, 1 himself spread himself aver t Charon went the the When he appre individual looked up | ly fares. cheat the aloof person that “Fare?” he echoed ; “Lire? Why, L always travel on a pass.” Then the other tour ized hin as one who had been a trast ma OLE architect of his sous fortune ly ph we the brick, a must tire tar and stene, BOTH IN THE SAME BOAT. sep AM very glad,” said Dimpleton, my house in the co I woul have had any trouble in disposi it, but TP wanted it te nts, as Lam sure you will, You 1 the society of the place is charm- My ot and. the people ‘There's someth ron all the tim wre delight- ful, Not only that, but in reality you have every convenience mail deliv. ery, long-distance telephone, and so forth, Old man, Lean assure you it Never was so attached to a place ins my lite breaks me all up to leave it + Yes,” said Bilter; 1 can fully understand that, But, by the way, ou have never told me just ond man, why you are leaving this plice and 4 to the city.” Dimpleton drew him aside con- tidlentially * Don't say he replied; * but the anything about it,” fact is, it was too expensive, [am forced to yo hack to the city because | cannot af ford it here.” Bilter 1. “Why, t ings town,” cious !" he exclaimed. US precisely why I'm leave HER REFLECTION, SE AFTER some rellection,” she sti to the straggling artist, *Thave reluctantly deetded to with- 4greement to permit you to paint my portrait” + Rellection 2" asked the: struy- utist, who was. sharpwitted + My dear Miss Play ne an't you know better than to with hunger © your mirror?” WANTED A CORRECTION. sei lady who enters mal office of the Mardy Whoop, in of ys the an othicer, "1 un the wo hatchets at him, as reported in your paper this my t correction es, madam 2” asks: the editor the facts 2" eH Ttisn’t that of my costume at for it is indeed he. ‘The paper misspells my name day she'll be a peach. h of luscious beauty A rare peal vo was arrested for setting tire to her husband's house and throwing T have called to insist that you + Was our report contrary to I doesn't give a correct description comicbooks.com