Judge, 1893-05-13 · page 7 of 16
Judge — May 13, 1893 — page 7: what you’re looking at
What you’re looking at
This page collects brief humorous vignettes mocking Victorian social conventions and character types: **"His Failure"** ridicules a man unable to spell "Ypsilanti," suggesting incompetence even in written correspondence—a serious flaw for gentlemen of the era. **"Apparent Identification"** contains ethnic humor: a dentist identifies a patient as Irish by examining his teeth, reflecting common 19th-century stereotyping. **"Extreme Modesty"** satirizes exaggerated feminine delicacy—a young woman so modest she blushes merely looking in a mirror. **"After Dinner"** depicts an elderly drunk uncle becoming increasingly incoherent, disrupting family gatherings through alcoholic rambling. **"Too Considerate"** ironically shows a boss asking an employee to reduce a package's weight so an elderly woman can carry it upstairs herself—false consideration masking exploitation. **"Why She Opened the Letter"** mocks marital dynamics: a wife violates her husband's privacy despite his trust. The cartoons collectively ridicule social pretension, ethnic stereotypes, and domestic hypocrisy typical of Judge's satirical approach.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
JUDGE HIS FAILURE. 6S\VJHERE is your “In Ypsilanti.” “Why, if | remember rightly he wrote to me that he was going to De- troit.” “Yes; you see, he never could spell Ypsi- lant.” STILL WORSE, Ske—Can you think of anything: worse: than for a girl to encourage a man when she has no in- tention of marrying him?” a He—" OS yea SUP APPARENT IDENTIFICATION. ose she, should » change Pat O'RovRKR—"Oh! Ugh! Phwat is it?” her mind? DEntIst—"* | should say it was of Irish extraction.” A BASE-BURNER. 2 EXTREME MODESTY. Ss = THERE was an xsthetic young A FIRST-HONOR DUNCE. : I i ats “6CLARK is making money as i . p v = oats From her toes to her top She. would blush as she looked in the glass. a translator for a French firm." “What! He could never learn French grammar at school.” “That's why he translates @ = Te those dialect stories so well.” “ / , <j 67 ak: AFTER DINNER. f fl Old Portwine (for filty years PRUDENT. é a yA /@ , a lover of good things)—" If that AND does your baby look like you? Re A\\ - , infer (hic) "—— In baby’s presence here I guess ae UY a Edith—" Well, uncle?” It's not the wisest thing to do Y : . Old Portwine—"—nal Ger- My real opinion to express. { % , = man band doesn’t (hic)"—— a Edith— Well, uncle dear?” HE GOT HIS CONGE. s Miss Bleecker—"1 hear you * ie 33 play—play—play (hic)""—— shook Mr. Backbay last night ?” y B= . Edith— Yes, dear uncle?” Miss Emerson (ot Boston) — TOO CONSIDERATE. Old Portwine—'— ing (bic) “Yes, I agitated him more or less Boss—'* Here, Pat, make that ton for old Mrs, Murphy three hundred pounds it'll drive your poor old uncle to energetically.” short. She's got to carry it up-stairs herself, and I want to save her any work I can.” drink, my dear child.” WHY SHE OPENED THE LETTER. Wituis—"'I am sorry that your wife opened that business ae 7 letter I sent you, Harris. You told me ‘beats never opened AFTER THE LOVERS’ QUARREL. your letters.” Miss Ranciyere (iho has not spoken for an hour)—"Aren't you hugging the shore Maxnis~ ‘She doesn't, as a rule, Willis; but, you see, you rather closely, Mr. Herbot ?* inate a great mistaxe by marking it * private,’ ” Mr, Huxnot (géumly)—" Have to. There's nothing else at present.” comicbooks.com