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Judge, 1885-12-05 · page 10 of 16

Judge — December 5, 1885 — page 10: what you’re looking at

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Judge — December 5, 1885 — page 10: Judge, 1885-12-05

What you’re looking at

This page contains **theater reviews** rather than political cartoons. The primary illustrated content shows two engravings: the Judge magazine logo (left) and "The Girls," a decorative oval portrait of three young women (right). The text discusses Broadway productions of the 1880s, including *May Blossom*, *The Two Orphans*, and performances at Wallack's Theatre. The reviews critique acoustics at the Lyceum Theatre and discuss actresses like Margaret Mather and Miss Coghlan. "The Girls" section that follows is **lighthearted verse about young women's fashion and behavior**—their clothing, hairstyles, and social conduct. The tone is affectionate mockery typical of Victorian-era publications. This appears to be an **entertainment and social commentary page** rather than political satire. The humor targets theatrical management, architectural design flaws, and contemporary gender stereotypes—issues of interest to Judge magazine's educated, urban readership.

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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

THE JUDGE. Than Jubilee was a success in a | medic He presented many funny } and features in’ his ** Annual,” | but th natured audience was impar- | tial—it laughed whether there was anything to laugh at or not ng the first week ** May Blossom son in our David ed for the lust time this yatthe Grat be Oo, anthe and Daniel Frohman, 1 tely and collectively gratitic tinued popularity of this charming comedy. Kate Claxton and hi two Orphans ” are at the Grand Opera House this week. Of course, the box office receipts and the en- thusiasm are heavy re separa- the con- Last Tuesday, Dec 1, Margaret Mather played‘ Juliet the fiftieth time atthe Union Square Theatre. The IN Z ZB performance is billed for Ifthe principles of acoustics had been re reliable ns well better understood by the builders of that aper commenda- paragon of _ play the Lyceum } chat un i tre, they road’ Bok: ase Cee. ind. M. Hill had a provision of this Metropolitan favor, unition four and capture of when he contracted for or tive years ago, althe win only been tested from balcony, easily and unbrokenly rises than descends, and notes that force their way down to the audience flected and broken; r the harmonic effect. The same viola ie law ig male Madison Square rnd Ships that ha Mr. Lester stand the weather than any oth do not also drum- «tin con. the unattractive tide mers on the s in front of i WG trast with the beautiful || old way of plac q tting. ‘The This seems t verified in the case ; lan. Thus far this season the per- orchestra between ; formances at Wallack’s have been unprotit | the aud we and the ge, and below them, isthe best. The orchestra of a th should have the most its | bleexperiments, and it is doubtful if there will le much improvement until some one is found to fill Miss Coghlan’s place, who hy un occasional spark of originalty in method, better imitator of her predecessor be proves herself to be, As aims to made money upon her trip, we doubt r of expenses—not to mention the and the exhaustion and incon. of road life—she ha weekly ge equal to the liberal. s: easily as the leading lady at favorable position for imate business which is that of an formance and a di- dience between t , rchestra assumes a prominent accompanist to the | version to th When the i} position as at) the proper order is reve leading feature of tl out of fy |, when he obtrusively that belong to the ol Lyceum) Theatre, the d, and it becomes a performance, as much npanist is the attenton ‘The one-week-stand p followed by the 1 Op agement, from being the coming «rule. in our a play which houses for wee successfully Ifouse_m is be That | of the leadin run itself out— or four other | city and play for a good btisiness proves two thin : That h theatre has its own clientelle and that a different — sc prices draws a different class of peopl | The Third Avenue Theatre under the | managemen M. Hill, is th to endorse “ ment theatres in the week in each to Since the of srothe ran for a month, | the week en ements of Ida Malle || + Dimples” and) “Uncle ‘Tom’s Cabin, greatly increased the receipts of this unusually charming little house of ment. This ek, Mr. Frank L in ** Si Slocum,” is the attractio! week Mr. M. B. Curtis appears as the ubiquitious * Sam’l of Posen.” In one r | spect Mr. Curtis is not true to the line of character that he represents, viz: he gives you your money’s worth every time. | hter promotes di- gestion, Pastor's heterogenous Tony Miss Coghlan and her ! old admirers are to be Josh Hart's the one v lobby. een and heard at omique this week— the others in the The ** Rateatchers of Hamelin ” which is on the boards at Niblo’s, presents an art novelty, vi imated ** still-life” studies. In the putting on of the ‘ Ratcatchers ” the Kiralfy’s have excelled their famo X- celsior” production. ‘The spectacle of § much glitter, shimmer and shine dazes our sight very much as the Arabian Nights’ wonders used to bewilder our childish in ation, * Old Lavender” had become such a fa- vorite with his audiences that it scemed like a general bereavement when the cur- tain dropped for the last. time upon the play. 1 cordial welcome given to Old Lav’s” rival, demon- ates the fickleness of popularity. In this new play Mr. Harrigan has Americanized the English parental custom natal betrothals by ving the con- tract the Yankee title p. he Gr That the union soldier considers his daugh- te happiness of more importance than his promise to his old friend, the confed- erate soldier, is also Americanism. In fact, the whole play excepting the one sug- gestion of English custom is decidedly such its merits cannot fail to please the theatric world. Dave Bra- ham’s new songs that are rung out of “The itip” at happy interval, are characteris- tically simple and pathetic American, and Among the leading attractions at Phila- hia is MeCaull’s Opera ilouse (late | erly’s Theatre) where, under the man: ment of W. K, Morton. is produced Mikado.” We would call particular atte tion to our old friends E. 8. Grant as the Mikado, Digby Bell as Ao, and Laura Joyce Bell as Aatisha (whose voic happy to say, has greatly impro ported b t. Mr. McCaull done everything in his power te make this play ss, and with the assistance of his courtéous acting m . Mr. Morton, and his agsistant, Mr. Mikado” cannot help ssful run, THE GIRLS. I, the pretty, pretty maidens! Each coquettish litle d With the cutest little fe Dang We The But it. mak r or ¢ her ear! se Desi Is are wanting to express of their dress, manly bosom feel astonish equeer! It will always be a wonder How the a g f taste Can make herself And de How dex't'rously she'll waste the lace tin such b And lace the pretty waist Of ber dainty, silken dr With its twenty tucks or less, Till the whole effect is stunning and immaculately chaste, Oh, they know how t ; The naughty, naughty flirts! With their little, jaunty jackets And their fancy over-skirts, With theie hair in‘ Montagues And their little, buttone ‘The sterner sex they torture, ca hurts. MAL comicbooks.com