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Judge, 1885-06-06 · page 10 of 16

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NOuDECK AT THE has been most favorably received. things have tendered to th play, the players and th spring is the me a play popular. the boards te much of a possibly, Ivrics vived. Mr. Fran gave the best UNION SQUARE. tauspicions se bat there Mt $ nothing attraction — ¢ omic and American—re- Mayo, in the title role, unde performance he has His powerful voice, however, is st too well rounded for the com- dience room of the Union Square, There are few actora, since and Me- Cullough, favored with a voice of such vol- ume and at the time such 8} powers and flexible qualities as It seems to away from him | sometimes, though, on a certain pitch; as if | that were his favorite to: nd he meant to me out strong onit. It strikes one by contrast with the smoothness of the rest of its register, as if its possessor had a bad cold Mr. Mayo’s acting in ** Waldemar Norde is so well regulated that he creates the im- pression of reserved force which is perhaps more potent with the he rer t on of it by the ac as if he them an i “1” that w ever done. is about actor could desi Mr. A PAT THE Varrey put himself into hie lines to a good character part of Wittold; he often commands the scene in ondary part. udes seems, like “neither words nor utte! specch tostir men’s hearts, Puay. Anthony, to have ince nor powe “nor mnch a She has unimproved natural abilities; might ok the part of Pri but. she t. She preserves the dramatic unities, an unnatural mother in Miss Kathryn (sic!) in advance as being howeve by acting an unnatural: manner. Kidder was celebrated very young, (14) as resembling Mary Ander- son, and being the descendent of a long line of gymen. She does resemble Miss | Anderson, in length of limbs; the manner in e-speak- 2 jor to the newhat apocryphal though not in an tress unprecedented story of her youth | and as for the eacerdotal | either. Some very poor at T, we remember to have heard, has been turned out of minis. | ters’ families. — But there is promise of ex- cellence in Miss Kidder (Kathryn!) She is | not ungracefal in her movements, and has what tinost women on or off the stage have | not, a good walk; she is easy and buoyant; and her voice is resonant, pleasant’ and young. When she shall have outgrown her self-consciousness; when the amateurishness in and when she shall better ideas of costume that is, prob: than her dr his inventio those of ad i always about to take phice, THE JUDGE. the ensto tan pr special theat unmistakable ion shall have worn off: 1 to substitute studio me s, and astriking exhibition of its unreliability and al criticism? In the narrowness in wry provincialism of the metropoli- } | interest. of atic action for th will begin to develope capacity justice to a purely American enterprise THE actress, we make no doubt. And ’she had |JUbGE orders a suspension of judgment in than of make up; | the her dress-maker is better | of the Lyceum theatre. A DOUBLE PART. Trouble pmetimes comes of tryi two plays multanously on the by the same cast, especially if the motives of one of the plays and of part of the actors is out of harmony with the movement of the. re of the c neous bua Private +” company found New Orleans lately, when Mr. Morten involuntarily played the le he Mistletoe Bo ‘d the . the eame time When jumped in the chest to hid “Mr. Wolcott, in his Siastee aa Calerwate, a oun Ie aan | and held him in for half an howe, the former found his hiding place lined with grease and perfumed with Imburger cheese and half | OVERDONE CRITICISM. the criticism on “ Dake heatre, Mr. Stee 8 rather over York papers hare : ast two months, Is not Lyceun med up tho snerita ef und of Mr. Mackaye as and have predi ted the im- of the why s about n. mediate colla, ran fifty nights, and, except the hys Miss Viola Allen's contradicted declar there is no evidence that the salaries have not been paid. How many other plays in the ventilation elo This was th these times, have run fifty : how many highly artistic and d method which other n the rest of the compan ted with the to their 1 green-eyed, le Mr. Morton to that the owners of the theatre it” on the t contractors unsettled bills. ‘The ir too-practical a play’s the thing, and auth up the con perronality that the press has persi offence was ‘ri disparaged. Is this anything more than CELTIC. CULTURE, Mrs. O'TooLe— Och, its mesilf that had a chromo ov St. T moved a wake back. Patrick stole off ov me whin How much would yer charge to be after getting it back for me?” comicbooks.com