Judge — April 11, 1885 — page 10: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

for want of other diet. ‘The Private | Secretary” has been always at his post, | whether it was in the wood box, under the uble or behind the portieres. We hope to | chim in his old position next season en- | cambered with fewer bundles and—more to eat. A revison of the vl y giving the young ladies, Misses Edith and Eva, an opportunity ofappearing less simpering and silly, and more , piquant and inter esting, is a change much | to be desired. It is surprising that Madison | Square audiences have so long tolerated this trifling with even trifling part Sealed Instructions” follow ‘*The Pri ere- | tary,” so we do not know his destination. THE JUDGE. | 700 MUCH REHA ys of the mai A MAJOR WITH A MAJORITY In these erial craze for! «The Major” has pleased the majority who | SPRING STYLE. JUST OUT. | something new, such as novelties in stage | have visited the Fourteenth Street ‘Theatre | —_ _ _ | appliances, fresh attractions on the boards, during the past few weeks, He will step | (bill-boards and other) and prices graduated down and out Saturday the 11th inst., that Hints on Reading. Do not read with the book upside down, unless you are “ fly” enough to take acurres- ponding position. If you must read aloud, read only to your- self, not to others, and then never read aleud aloud with your lips closed. Never read with one eye, as you will only comprehend half of it. ; Do not go to sleep at night reading aloud, as it will annoy your neighbors all night, and we ourself u times. When reading for company, never read down two columns at a time, unless you are cross-eyed, and. used to it. ver look over another man’s shoulder and read unless you have been eating onions | according to the quality of performance «Cordelia’s Aspirations” may again be aired. billed; John Stetson taking the lead in this Harrigan and Hart intend be i fix- | experiment, charging forthe positive quality ture at this theatre, and doubtless will keep | 81,00; for the comparative, $1.50; for the their hold on the present paying business, | superlative, $2.00; in these days we find one for theirs is the show in the gre: manager, Augustin Daly, whois invulnerable for our Country Cousins, | to epidemic, craze or failure. If this prince has the magnetic influence on these unso- of successfal managers has, like Achilles, phisticated pleasure-seckers that I || his vulnerable point, it has not been exposed nd Hart’shave. Every farmer's lad, country for attack. Of course, he has had his non- groceryman or verdant dude who celebrates paying off nights in times past but we doubt some momentous event in his life by a trip | if any man in ancient or modern history ever to the city, always has Harrigan and Hart’s | had a more hilarious and profitable “ Night ag q place to be taken in. From the thirty Of” than Mr. Daly's present one. Instead thousand transients who are daily in New of swelling the head, as most such nightsdo, York, these gilt-edge, graduated variety men | x bik ci m Ber's es No other can count on a goo dience, whether they || New York theatre can boast of more constant, receive the local supp t. 3 | || popular favor than his. Mr. Daly has receive the local support or'no or beer or other literary diet. oe | deserved and won an enviable reputation, not | _ Never read hastily, even if the man is wait- \] because his company contains more talent An Amendment. ing for you to give him his paper; it is bad | | use he has the patent on the eses. nd conveniences to A Boston clergyman sent to the Long- Never rea he fellow celebration in Portland last week a > other name than others, nor be: for the latest noveltie: be found only at his th ything clear out of the paper, p may want to see it, and as some atre; but becaus | ; 1 || isa man of superior business qualifications, poem. In the concluding stanza he re-| never read a paragraph holding the paper || discriminating critical acumen and a keen marked: between you and the lamp, unless to see || discernment regarding individuals and «He still doth live with us and God! through ‘ quic ko t | masses. In a word, because he has the raro Tis feet th earth and heaven have trod.” i i. a t paged Re a colnmna | combination of the feminine quality, tact, “Usa lod ”? avree } and read up, unless 3 ed the coaching. || andthe Yankee gumption, Heis, moreover, -4...0%,and God” may agree with Boston’ Tf you have to spell outa big word, doit | sodotat be work ee gover bat jase ieas of rank, but THe JepGe would suggest | to yourself, an indefatigable worker, a se 5 3 Pee 4 8 | manager overs on the timid, g 0°83 fickee kd Moe Ne rent strain for the world of leas Borrow only the best of books and papers. * S Sicre’ culture, li eaisctorh © , z || scalper, just to those who patronize his ; Ifa page is torn out, do not attempt to | theatre He still doth read it, and never turn two pages at a time. | We have a very comfortable feeling of It is very injurious to the arms to hold eneral satisfaction upon leaving Duly’s — — — ———— your paper out | lors. We are pleased with ourselves for hav- in a crowd, reading | | ing been there; glad to escape the sidewalk one side of it while || foot pads; the audience made us feel r another man reads able, we approved of the play; and the the other side. —but, stay! Wasn’t there too much Rehan? In opening and | Too much Rehan drawl? ‘Too much Rehan reversing « blanket || mincing? ‘Too much Rehan eye-rolling? ahect, in'a crowded Wasn’t her affected style crude and common- place, compared with the finesse of Mrs. Gilbert’s work? True, she looked sweet | | and pretty in her flimsy, cream dress—she | often looks pretty and not infrequently makes || sometelling hits, but this is not acting. Miss || Rehan is too conscious of Ada Rehan to move | an audience. The artist lives without, not within, himself. And Miss Irwin? Certainly she looked the “brassy Susan,” but her oft-repeated arms-akimbo position becomes monotonous. We have seen washerwomen and servants assume other attidudes of repose. car, if you can man- age to knock off the plug hatof thegen- | | tleman, or jab the nose of the lady, either side of you, || it will relieve the monotony of the journey and empha- e your literary ste and muscle. Don’t try to read | | with the gas turned | out; read only one side of the leaf at a * pO-YOU-KNaAOWw?” . time. if you do not, you must enlighten yourself 2 “ s this week or you will have to remain in Read nothing but ignorance until “The Private Secretary ” | A PINT OF PREVENTION. the truth. Take | ie hae aaa per ted April 1th. | Mornen—“ You naughty boy, whal did you drink the milk fore” THE Juvor, condition. Men of much fame often starve SON—‘ So the cat couldn't.” A. W. BELLAW- comicbooks.com