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Judge, 1883-01-20 · page 6 of 16

Judge — January 20, 1883 — page 6: what you’re looking at

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Judge — January 20, 1883 — page 6: Judge, 1883-01-20

What you’re looking at

This page from *Judge* satirizes theatrical comedy writing through two pieces: ## "A Duet" A comedic exchange between a Judge editor and a cart-driver carrying animal intestines. The editor mocks someone for literally transporting sausage casings, misunderstanding them as theatrical props—a joke about the absurdity of poorly-written comedies relying on crude physical humor. ## "That Comedy" The main article critiques American stage comedies of the era. The author (appearing to be a playwright) describes pitching his "fresh, sparkling" Irish comedy to theater managers, only to face rejection for lacking the required crude elements: multiple Irish characters, physical slapstick, and ridiculous stereotypes (like Native American impersonations). **The Satire's Point**: *Judge* mocks both the low standards of American theater audiences who demanded broad ethnic stereotypes and slapstick, and the theater managers who rejected more sophisticated comedy. The piece satirizes the gap between genuinely clever writing and what entertainment industry gatekeepers believed would sell. The cartoon illustrates a disheveled theatrical figure, likely representing the struggling playwright's frustration.

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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

+A DUET. nobleman namel Count | a Montmoreney, or Earl On Do [t—Yor Pars Youn Moyer axp Taxis Yorr | Douglas, in your play, who Cuorce has won the beart of the beantifal village maiden, Tue Jepor To + Pansy Wedgewood, while What are you shouldering yonder, { pray? named Horace Jenkins?" | | What are those things in your hand-cart with wheels ie mel to ailini Ends hanging out of them? Sausages? Eels? | that there was nothing of | / © Curr” ro Tae Jc the kind in the play. Viscors, Invants, intestines—a name Ab!” said the: manager, Shorter they have, which my lips trame | thoughtfally, «that ts, in- You know their charucter—d o! | deed, a fatal error. Why Tin carrying them straight to the * Stalwart " Dear! even Mr, Tennyson had | . sense enough to use that 7 Jena. TEES 008 racket. Le sin ask ? | \ At Mr, Praident, hl theo aw | Soin wa haiae weane ECL Dato thas ones See one Feats Point dresses herself with taddeod thai you agen black paint under the eves 4 to the front of the off the fol | i THAT COMEDY bets Giese | | : | Tam th | ‘ fst-clase comedies, 1 claim t be | victim, and yet Lsay. + 4 chief reasou why F auepeet this.18 | on, thongh it should te fh at everything else, and asevery | ti heart from any bow | pa ” this mast he mi “| wan again forced yi writing what I call «The | of this | t iis not a bowling, ecreaming farce, with sixteen Irish | ‘Mi What maker Lin the picture 80 j y the fact of his having * stube | medians, a jackass, and a goat in the leading parts: | Comey,” “Avot 1 hel the town which his facorite carn Ut bo A he ta giving way to an une | neither is it a dreary walk-around, consisting of an un- | Tape of judgment.” con Ne Mov murth | faithfal wife, a lord with the blind-sta: three serv- | tinued the manager. It aan ants An billous live poolledog and two young | seems strange how you could fail to zet your charac+ { That's the way to write comedy orving, sir,” | female noolles in silk dresses of the thirteenth cent: | ters worked up lntoa position where the above sentence | and he tarned around to give putanewly- | ury, such as our English friends are so fom of making | wout) not he necessary. I will trouble you no farther, nl comedy jackass as eserelck: with: as 1 see your comedy is wanting in the most al sind anda Trepeat that it is none of these, but I conzratulate | Stomente a tuts i crete, tay san inyself that it 1s a good, clean, fresh, sparkling comedy, | " . . Irish comedians how oui begs (aplb e I sally rolled np my manuscript. and hied my way to | enzaged in give a recipe to two Trish comedians hon brimming over with the spirit of Amenean Institu- s ke upas genuine Indian chiefs, imported at ine : : amore congenial market. The next manager was of | ( make up as genuine Ini fs, imported at i tions, and containing over two hundred and thirty-five m | eredilje’ exienne” fromthe: pethless:foresisof the far “ | the pare comedy “Our Boanting Hou credible expense the far, jokes (all fresh), and sixty-eight morals, to say noth. | (eM can att | tar West. He stopped when I came iu, and on my re ing of the sky-scraping eloquence and w | nasy writing a bas ax of his | auesting him to read the 1 rie ou . ’ Sapte) . . latest play, in which the old maid is rolled down. | pardner, you're insane; Lean decide what your play 1 son of the heavy villain, anished by bis falling ee: soe kilt » feat wet; and have. yot Tun the eellatatepa, and splitting bis head Hinz stow me, haven't yout" Tacknowledzed the com, | many Todians are killed in the first act, and have you sown the cellar atepa, and splitting his head on a beer red him to look orer it. any exciting incidents, like the hero scout bei 1 keg, while virtae is rewarded in the person of the poor | “4 I tora wales trex by 000 Liood-thirsty'snvazer, halt ot : : we artist, who fille heir 0° $3,000 000 | _;"-Ath.SOFrs, my dear oi, he, pleasantiy, “bat | 8a 3. honest young, artist, who falls Reis (0 22,000,000") iii aes © of fourt. ve whom he picks off one by one, by the aid of his trasty | Ihavean averaze of fourteen plays to reject a day, and | 5 worth of guano on a South Sea island, and marries the | rite; and: thea allée down the tree ‘and kick. the row heroine of the fourth act to slow music, while the | Cold not possibly read them all. A few questions | rifle, and then sl Iather seattors blessings ant a allver plated bac, | SUL Settle It, however. In the first place, have you | to death" Twas force to audmit that my play was ae aee ene of the ham pain all the fac | ot the regulation Irish lord. inventor, poet, books | lacking in this essential particu said the | ee dish at the fe oy pees . agent, newspaper reporter, and Presbyterian minister | Manager, ‘in that case [ suppose you have worked it heavy comestian makes the sparkling observation that | #6h' nemsnl | tna more Pizleyical styl No doubt the beroiseisa | Lore ama Gano: epee all thlogs 1 replied that Thad not. | young irl of wild seraphic beauty, says 'G | Bow, Ta Weta Koo bet coed ™ i “That looks bad,” replied the manager. But a | 24 ‘You bet your hatr,* and similar J, Hoe plot! 0: wateing thu Enare combined stder TOM eae BILE IC nee vikg | an the hero, a young school teacher, frum the East splitting mirth, delicate pathos, deep passion, and | Play might succeed without it. 1 suppose sou make | Sh" UM Mim & SOUR Act ee O. atock, «| sparkling witticisms; which are well calculated to call | €¥ery act end with some one getting blown ap, run | Tiber Trius Cum A Te forth the noblest emiotions of the baman soul, for the | Ofer by astreet car, chewed ap ty a goat, of falling | OSTEO We TT oo emarks that ahe ls unworthy small consideration of fifty cents per head. into a sto harrel, while the orchestra plas i ae ane at ean eas y Last week I got hungry, and afer bringing the eom- | music, don’t yout" Iya | & ene to chew gum, and pulverize the pi | ely to 0 hasty close by kil one-half and marrying | 1 replied that there was nothing of this kind in the ua bole f Se aie bas reriokingn aad off the other half of the remaining characters, I started play. leads him to the altar, amid the yells of the entire out with that comedy, with the firm resolution to sell | + Well, then,” aaid the man eis only one | camp.” 1 didn't wait to tell him that the “Gr it, or die in the attempt. The frst man I tackled was | thing that will as ar comedy, and that i8 for the | ee a Comedy iin? bat to the Esmeral et Kirke & Co. style of man: heroine to remark to the here, when he ishugsing ber. | teetine for home. nd ny own door Joba He receiveal_ me with a grave air, and asked me if f | that she would sooner he would do it sm’other way: 1 | sfecatiough happened to be passine--a lucky thought | J the @ats in the parquette over the heater, or by your long face that you have even neglectol 0 | struck me. 1 drew my pistol, and compelled him to in the balcony. is jaw fell about thirteen degrees | put that in. You had better revise your comedy, and | Sy un with me am read that comedy. from. heginnvn when be learned that I had not come for seats, and | makethe hero fall ie a cistern in the tirst act, Gool- | {) ony sell. anid Lee'what will, make it meat clear to-zero:Wiben be saw me enroll the play ley | Hethonght fora moment, and then said: You mast Ah” said he, “+a play; please be briet, Urejeetel | T next visited a manager of the howling farce, Harti. | ao one of two things, either put four salute, three | fifteen pounds of manuscript this m san and Hart style. I found bim busy training a vi gels, and a devil or two in the cast, and use it for much time for these things. Tr ly | hick up a pair of Hoots with its mouth, and to passion play, or else bay up a second-hand elephant, | T informed him that it was th t American | zood comedy squeal, He seemed to re tuffed camel. and hire thirty song Indies, dressed tn Comedy,” and even lihood to ask him | in my face, and condescended to look at the first paze | gtreviated bathine Lthen sell it to Kirulfy to read It, The last ed to madlen | of the play, | Brothers tor a Great Aek iar Drain b “You don't tell me that you have an ides | Ah,” said be, wit “this will doom P. S.—Thave dh | that a may as he wrote a witheri ever re: Is a play, do he snappes, postal card to a young lady, week he would give | dram, p her for acting “Romeo and Juliet.” “Well, they | Chinese, on son't; better to time, | row-xange dreases, in addition to on formed + Who will take Gambetta's shoes. in Fra Now, I can tell jast what your play Is, after a couple | every five minntes, such as ‘ten cents a peep. | We don't know who will take his shoes, bat we do of questions. Io the frat place, Is’ th iil right-apto: the present}? etc: | know:nobody‘can take hils place The repres success, must hav mative Am| an comedy, to b teen Irish comestians, a hues —_- | jackass, two nizzer comedians, Frenchman, and two young lad | who wrote to know how much rformin; A SPECULATIVE. ne have eomethi mag rey young | ‘there you comicbooks.com