Judge, 1882-01-07 · page 1 of 18
Judge — January 7, 1882 — page 1: what you’re looking at
What you’re looking at
# "Conroy's Dream" and Judge Magazine Page Analysis This Christmas sketch satirizes Irish immigrant aspirations and class pretension. "Conroy," likely an Irish character (suggested by the dialect and name), dreams of playing fiddle for the Queen. The narrative contrasts his humble reality—a poor fiddler in a cabin—with his fantasy of royal performance. The satire operates on multiple levels: Conroy's delusion that his crude playing could impress nobility, the Queen's mockery when he fails spectacularly, and his defensive retreat to his original fiddle. The moral appears to be about knowing one's station; when he attempts to play the Queen's ornate instrument (pearls, diamonds, gold), he produces nothing but discord. The accompanying "Symphony in B.E.E.R." cartoon reinforces themes of working-class humor and social boundaries. This reflects 19th-century Judge magazine's tendency to mock Irish immigrants while simultaneously entertaining them—a complex editorial stance blending condescension with populist appeal.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
SUPPLEMENT.) THE JUDGE. CONROY'S DREAM s Whe know heme sty | contlnin’ for mi Hit ait In me shirt——" bar the Queen looked hurt | 4 CURISTNAS SKETCH, And the ladies’ mails tury _ d onroy," whe wale, at ber bes His fildle seemed part of bis very heart tryon od aieaee os fu As it lay beneath bis cbin, AN Yaced i tak | si And the supple bow went to and fro ' Ash J swayed to the dio. Bat, your Majesty, I've a atvong idee ALT. WORDEN. | And he thought no more of the toil he bore If Phat har a lock as ny wife = i When the pain left back and arm, . | | FP . SYMPHONY IN B.E.E.R. And the heart we Drigght | th | | | Iw i | 1 7 oe 1 f " my sweethea | oft to nook, . och mw The turt ed wart, i’ Ant while the played the noise be made “ Pp Shut out the wind and Pie . | i} 1 hor ety | i | » | | You told the w your da And the flidle left his Was Lake y Again and again be marked bow plain Its 1 And now yc ood back w ck and crack, ely ts two sides were, { In a palace | . Dowtwt! Said he to the wife, “Its like my life | : truth when it @.ys that homely aud poor out p Then on torn themselves into a le over the strings, Ani Kick It is not always that the j Some n Throwzh : * the largest busi- of newspapers donot usually care about It’s like my said be with hate, Knock Was heard at the cabin door, | i wo tite? much Orit ike Ws month —New York Herald. And in th Little man, With asmirk and bow so frew “Conroy,” be said, as he ducke Ye must come away to the Pot off thim put on these Of velvet, and boots of greca. eran iy +The Qaven heard say you the thddle play 's the way th ed no more th: ho le the door ‘ nd he bowed h * Don’t think I'd like to be troabli Bat would yes play *The Dawn of the Day, Or +A Milo and a Half from Dublin? She seta down a box and quick unlocks A very gem of a thddle, With pearls all white and diamonds bright And gold strings down the midile. ead. ' He seized the bow and moved it slow And put the kit to his breast, And sawed a string, but the devil a thing Could be play, though he did his best. The courtiers chaffed, the Queen she Laughed, And he said, though palo with grief, “Go bring my kit and your ears I! split, And play up a tune for the deaf.” Said the Quoen, ** Your kit, bad luck to it, With its ould beech sides and back, It can't compare with this fiddle rare, Sure they lied about your knack. Ye may scrape some airs at country fairs, i Or saw a few old juss, Such playin’ as yours is best ou It would give the colic to p Escarep © OL 6 Af gewtlenan, CAristmas ef) =O, good Lord! 1 wish om’ Know Fm here! Ha, ha, ha enies erewe? comicbooks.com