In this etching—attributed to James Gillray after his own design—a large-winged angel in elaborate costume sweeps a praying woman or child aloft through storm-lit clouds toward a celestial altar blazing with candles, cherubs, and an open book radiating divine light. A neoclassical building recedes below. Gillray, Britain's most pointed political printmaker, here works in an allegorical rather than grotesque register, yet his characteristic drama—the exaggerated wingspan, the theatrical chiaroscuro, the crowded heavenly apparatus—remains unmistakable. The plate belongs to the long lineage of British print satire that ran from Hogarth's narrative sequences through Rowlandson's social comedy; this tradition of sequential visual storytelling and expressive character drawing fed directly into the illustrated press and, ultimately, the comic strip format that emerged by the 1890s.
About this artifact
- Date
- 1805
- Rights
- Public domain — free to view, share, and reuse.
- Restoration
- Digitally restored and hosted by ComicBooks.com · high-resolution version available.
Part of our mission to preserve and restore the public-domain heritage of the medium.