The Mark

In this four-issue Dark Horse series from 1993–1994, a mysterious, scarred vigilante known as The Mark haunts a rain-soaked, dystopian city. Painted in moody, textured watercolors by Jim Rohn, the book stands out for its painterly, atmospheric visuals, with cover concepts by Bradley C. Rader. A moody, self-contained noir thriller, The Mark is a striking example of Dark Horse’s early-90s willingness to publish offbeat, creator-driven genre work outside the superhero mainstream.