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Voodoo #12 (1953)

Farrell · 1953 · 36 pages

Free to read · restored edition by comicbooks.com · Issue details →

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ContinueVoodoo #13 →
Contains 4 stories
Skulls of Doom
8 pp · horror-suspense

Doctor Morris Fisher receives a midnight summons to the deathbed of the elderly Maxmilian, where the dying man makes him promise a bizarre request: to remove and preserve his brain. When Tabu reveals that Maxmilian's brain is actually that of an ancient Egyptian high priest—kept alive for five thousand years and loaned to Maxmilian on the condition it be returned—the doctor's scientific curiosity gets the better of his ethics. What follows is a descent into obsession as Fisher schemes to keep the sacred brain for himself, setting in motion consequences far darker than he ever imagined.

Fear Has a Name
6 pp · horror-suspense

Steve Dolan has feared rats since childhood, a phobia that's haunted him relentlessly—so when he's cursed by temple priests in India to be eternally hunted by Kongi, the Rat God, his worst nightmare becomes terrifyingly real. Now Steve must find a way to survive a curse that only he can see, as the phantom creature closes in day and night.

Blood and Barbed Wire
7 pp · detective-mystery; war

Pat Thomas washes out of Officers Training School and, consumed by longing for his best friend's girl Joan, steals her photograph before shipping out to Korea—only to find himself a prisoner of war in the same camp as Hank Jones himself. When Pat witnesses what appears to be Hank collaborating with the enemy, he's forced to confront whether his rival is truly a traitor, or if there's far more to the story than meets the eye. This Korean War drama asks whether a man's past mistakes can be forgiven when survival—and loyalty—hang in the balance.

Castle of Fright
6 pp · crime

John McLeod arrives in Scotland to claim his uncle’s estate, only to find the man dead and the ancient castle alive with whispers and dread. Haunted by the vengeful spirit known as The Red Laird, he must unravel the truth behind the curse before the walls close in.

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