Yiddishkeit: Jewish Vernacular and the New Land #[nn]
☆ Be the first to review + Add to your collection — Join freeThis anthology explores the rich tapestry of Jewish vernacular culture through comics, prose, and illustrations, focusing on the Yiddish language and its evolution in the New World. Edited by Harvey Pekar, Paul Buhle, and others, the collection features contributions from a diverse array of artists and writers, examining themes of immigration, identity, and the transformation of Jewish traditions in America.
"Prologue," a poignant story from Yiddishkeit: Jewish Vernacular and the New Land (2011), weaves together the voices of Sharon Rudahl, Peretz Hirshbein, and Edgar G. Ulmer in a quiet yet resonant tale of displacement and connection. Illustrated, inked, and colored by Sharon Rudahl, the story follows Levi, a wandering scholar who finds unexpected meaning in a village where learning is both a labor and a kind of prayer. As he teaches the boys and observes the rhythms of daily life, a moment of quiet revelation with a young woman named Dina shifts his path in ways that feel both inevitable and tender. The cover, by David Lasky, captures the story’s quiet gravity with a simple, evocative image.
In this poignant memoir, Harvey Pekar reflects on growing up in a household where Yiddish was spoken, a language tied to his grandfather’s presence and the warmth of family tradition. As the years pass and his grandfather dies, Harvey finds himself gradually losing the ability to speak the language, though he still understands it—like a fading echo of a world that once felt whole.
Baruch Rivkin’s Shrayber un Arbeter explores the vibrant world of Yiddish journalism in early 20th-century New York, where writers like Yosef Bovshover, Morris Rosenfeld, and Abraham Liessen shaped a cultural voice for immigrant communities. Through their work, the story traces how literature and labor intersected in the lives of figures like Abraham Reisen, Joseph Opatoshu, and David Ignatov, forging a lasting legacy in the city’s literary landscape.
In "Yiddish Modernists," a vibrant chorus of Yiddish voices—from Sholem Abramovitsh to Isaac Bashevis Singer, from David Bergelson to Chava Rosenfarb—navigate the shifting tides of history, using their writing to explore Jewish identity, tradition, and the evolving world around them. As the promise of a new Soviet future under Lenin fades under Stalin’s rising anti-Semitism, their stories reflect both hope and resistance, even as some find their work reaching beyond the Jewish community into the wider literary world.
In 1948, Chayale Ash finds herself in court after performing in Yiddish—a language now under scrutiny in the newly formed state of Israel. Facing the judge and a room of theater-goers, she must defend her choice to speak her mother tongue in public, even as officials warn of its threat to Hebrew. The courtroom becomes a stage for a quiet but powerful stand on identity and language.
Ida Kaminska, the renowned actress, carries the weight of decades of performance across war-torn Poland, her art a defiant echo amid the shadows of German soldiers and the whispers of exile. Now in America, she dreams of rebuilding her life and the Yiddish theater she once knew, hoping to forge a new stage for her people’s voice among a new land’s uncertain promise.
In the quiet rhythm of a new settlement, Levi arrives as a wanderer seeking true Jews, only to find himself drawn into the lives of the villagers. As he teaches the boys to read, he notices Dina watching from the edges—her quiet determination sparking something unexpected. A quiet romance begins to bloom, not in grand gestures, but in shared glances and the unspoken understanding of two people learning to belong.
In "Brother, Can You Spare a Dime?", a once-proud singer named Al finds himself cast aside by a society that once valued his service and sacrifice. As he walks the streets of a city that no longer recognizes him, even old friends and comrades look away—caught between loyalty and survival.
Abraham Lincoln Polonsky’s life unfolds in the shadow of political persecution, where his sharp wit and radical ideals collide with the Red Scare’s chill. From Brooklyn College classrooms to Hollywood sets, his journey weaves through the echoes of pogroms, the weight of the blacklist, and the quiet resilience of those who remember.
In "President's Day," Harvey Pekar finds quiet solitude during a frigid holiday shift at a V.A. facility, where he reads and reflects on the Singer brothers’ literary legacy. Amid the stillness, he shares brief, thoughtful moments with Joyce Brabner and Billy, his fellow workers, as the day unfolds in quiet observation.
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