Will Eisner's The Spirit Archives #21
☆ Be the first to review + Add to your collection — Join freeThis volume of Will Eisner's acclaimed archival series collects the final six months of The Spirit's original newspaper run, covering July 2 through December 31, 1950. Featuring the iconic masked detective Denny Colt alongside Commissioner Dolan, Ellen Dolan, and a rogues' gallery including P'Gell, Sand Saref, and Mr. Carrion, these stories showcase Eisner's masterful blend of noir, humor, and innovative visual storytelling. The collection marks the end of an era for the beloved feature, with Eisner's creative peak on full display in these late-period adventures.
In "The Moment of Glory," Will Eisner's The Spirit finds himself aboard a haunted ocean liner, drawn into a peculiar assignment: guarding Darling O'Shea, the world’s richest ten-year-old—though no one has ever seen her. With Eisner’s signature storytelling and artistry, this 2007 issue blends mystery and atmosphere as the Spirit navigates a journey where wealth, secrecy, and the unknown collide. The cover, a striking collaboration by Jules Feiffer, captures the story’s enigmatic tone.
When the Spirit of 76 warns Tyler Trembly that Squire Sleezy plans to flee with the town treasury—using a light in the old Church tower as a signal—few take him seriously. Only Tyler, caught between doubt and duty, begins to wonder if the old legend might be more than just a tale.
The Spirit finds himself aboard a creaking ocean liner, far from the city’s skyline, drawn into a peculiar assignment: protect Darling O'Shea, the reclusive world’s wealthiest ten-year-old, who has never been seen in person. As the ship groans with secrets and shadows seem to move on their own, the Spirit must guard a child whose identity is as elusive as the whispers trailing behind him.
In a tense, flashback-driven tale from Will Eisner's The Spirit Archives #21, the State Crime Commission closes in on Michael O'Dolan for corruption, while his half-brother Dick Whittler attempts to exploit the situation through blackmail. O'Dolan’s desperate search for Whittler in Riverbend leads him into a web of suspicion and violence—just two weeks after Whittler’s murder—and the investigation begins to unravel more than just a crime.
When P'Gell arrives at a prep school as a new teacher, her presence stirs unease—especially for Dick Whittler, who enlists the Spirit’s help. The investigation leads to Prof Acyd, whose secret formula has drawn more than academic interest.
In "The Haircut," a quiet barber shop becomes a stage for danger when a thug runs a numbers racket in its back room. When the Spirit walks in for a shave, the timid barber, Joe, is caught between loyalty and fear—forced to choose between protecting his secret and surviving the moment. With Jenny and Rudy caught in the tension, the calm of a simple haircut masks a life-or-death decision.
When a lighthearted joke on a daytime talk show accidentally catapults Ellen Dolan into the mayoral race, her unexpected campaign draws the attention of Mike Polltax—someone who’s far from amused. With the city buzzing and the stakes rising, he turns to the Spirit to help derail her bid, setting up a clash of ideals and influence in the heart of the campaign trail.
In a holiday twist straight out of a noir dream, a feisty woman named Darling O'Shea takes legal action against Santa Claus for failing to deliver a gift—so she's not taking any chances, sending her guards with orders to shoot on sight. With Muggsy and Trigger caught in the middle of a very unusual Christmas, the streets of 1950’s New York crackle with tension, mischief, and the kind of festive chaos only The Spirit could navigate.
In a twist of metafiction and noir flair, Jules Feiffer takes a break from his usual work to recount the year’s events in the style of Clifford, the Spirit’s backup strip—only this time, the story unfolds with a darkly ironic edge, as Feiffer himself becomes the central figure in a tale that blurs the line between creator and creation. With the Spirit, Seymour, and Doggie drifting through the narrative like ghosts of past adventures, the line between artist and art begins to dissolve.
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↩ Reprints The Spirit #7/16/1950 (1950), The Spirit #7/2/1950 (1950), The Spirit #7/23/1950 (1950), The Spirit #7/30/1950 (1950), The Spirit #7/9/1950 (1950), The Spirit #8/13/1950 (1950), The Spirit #8/20/1950 (1950), The Spirit #8/27/1950 (1950), The Spirit #8/6/1950 (1950), The Spirit #9/10/1950 (1950), The Spirit #9/17/1950 (1950), The Spirit #9/24/1950 (1950), The Spirit #9/3/1950 (1950), The Spirit #10/1/1950 (1950), The Spirit #10/15/1950 (1950), The Spirit #10/22/1950 (1950), The Spirit #10/29/1950 (1950), The Spirit #10/8/1950 (1950), The Spirit #11/12/1950 (1950), The Spirit #11/19/1950 (1950), The Spirit #11/26/1950 (1950), The Spirit #11/5/1950 (1950), The Spirit #12/10/1950 (1950), The Spirit #12/17/1950 (1950), The Spirit #12/24/1950 (1950), The Spirit #12/3/1950 (1950), The Spirit #12/31/1950 (1950)
Reprinted in Will Eisner's The Spirit: A Celebration of 75 Years #[nn] (2015)
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