Voodoo #8
In "The Eyes in His Hand," a young boy named Corker enters a marble tournament to help his widowed mother, unaware that his prized marbles are actually the glass eyes of their cruel landlord, Mr. Ebber—eyes that seem to watch him with a life of their own.
In "I Fought the Molten Man-Thing!", a haunted airline pilot seeking peace on vacation stumbles upon a volcanic eruption and a monstrous, lava-encrusted being. With quick thinking and a makeshift wind tunnel, he battles the creature’s relentless advance, fighting to keep it from spreading chaos.
In "Paint a Picture in Crimson," Count Damon—a figure of shadow and brushstroke in Soho, London—moves unseen through lives, his art a silent instrument of fate. When a model’s marriage to a nobleman spirals into bloodshed, her descent into violence unravels a truth far darker than she could have imagined, where love and madness bleed into one another.
In "I Was in the Clutches of the Living Shadow," a writer stumbles upon a terrifying sight: two-dimensional alien warriors materializing as living shadows across the city. As the shadows begin to move and spread, he races to warn authorities, knowing the fate of the world may depend on how quickly they act.
In "The Footlight Furies," ambitious actress Inez Fane is drawn into a dark mentorship with a mysterious woman who offers her fame—but at a terrible cost. As her rise to stardom accelerates, Inez begins to crave blood, and on a fateful night, both women stumble blindly into the blinding glare of Hollywood’s floodlights.
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Reprints
↩ Reprints Marvel Tales #97 (1950), Marvel Tales #104 (1951), Web of Mystery #12 (1952), Baffling Mysteries #12 (1952), Voodoo #5 (1953), Voodoo #9 (1953), Worlds of Fear #10 (1953), Tales of Suspense #7 (1960), Strange Tales #79 (1960)
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