Vengeur #11
"Crime sur l'astéroïde" marks a standout moment in the Vengeur series, with Stan Lee's writing and Steve Ditko's distinctive art bringing a surreal, dreamlike tension to the page. In this 1974 issue, the 5th dimension—home to beings that exist only in dreams—threatens to breach our reality, and the narrator’s desperate act of publishing his tale in Strange Tales becomes a quiet battle of belief itself. Cover by Steve Ditko.
In "Opération : explosion cérébrale," Nick Fury races against time to stop a terrifying mind-control scheme after discovering the Encephalogram-Inducer, a device capable of turning thoughts into visible images. When Mentallo infiltrates The Fixer’s underwater base and convinces him to join forces, the two launch a covert assault through the earth itself, using a Thru-The-Ground Tank to breach SHIELD HQ. Once inside, they disable communications and deploy Element Z to subdue the entire base, culminating in The Fixer placing an electronic mask on Fury, turning him into a puppet under their control.
In a future where Earth has been left behind, a scientist named Adam endures a thousand years of solitude, outliving generations as the planet succumbs to overpopulation. When all others are gone, he finds himself alone with a young woman, Eve, the last two souls on a world stripped bare—now tasked with the quiet, uncertain promise of beginning again.
In "Rêveurs, attention !", Dr. Allen Brown—whose true nature is far from human—navigates a fragile boundary between dream and reality, where the very act of belief can repel otherworldly beings from the fifth dimension. As the line between imagination and invasion blurs, a desperate attempt to warn the world unfolds through a tale sold to Strange Tales, where truth and fiction become weapons.
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Reprints
↩ Reprints Strange Tales #69 (1959), Tales to Astonish #14 (1960), Strange Tales #90 (1961), The Avengers #16 (1965), Strange Tales #141 (1966), Strange Tales #142 (1966), Strange Tales #143 (1966)
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