Valentine #9 February 1963
☆ Be the first to review + Add to your collection — Join free"So Many Ways" in Valentine #9 (February 1963) is a quiet, charming slice of life drawn with warmth by Jordi Franch Cubells, whose expressive art captures the subtle tension and growing connection between May and Phil as they share stories during a fog-delayed wait at an airport. The issue presents a simple yet poignant moment of chance encounter, where two people from different corners of the world realize they’ve both been living more quietly than they imagined. Cover by Jordi Franch Cubells.
Harvey and Jack Black share a quiet evening when Jack’s obsession with movies takes an unexpected turn—after watching a film, he begins living out its scenes, unable to snap back until the next one. When his girlfriend fears what might happen next, she convinces him to see one final movie together: *The Wedding March*.
Sarah Page is caught off guard when Bob Wesley asks her out to celebrate her hard work on his indexing idea, the date unfolding with quiet charm and growing ease. But the next day, overhearing Bob talk to Charlie in the stockroom, she learns the invitation wasn’t his own idea — and the truth leaves her wondering what, if anything, was real.
Winnie’s dream of a holiday abroad is derailed when Jimmy proposes, asking her to skip the trip. Just as she cancels her plans with Joe, the travel agent, Jimmy confronts her, convinced she’s been seeing someone else. A year later, her diary hints at a new beginning—abroad, with Joe.
In a quiet moment at a fog-bound airport, May strikes up a conversation with a man whose tan hints at distant shores, only to discover he’s been chasing the same quiet life she’s lived—just in a different country. As they share stories of love and longing across continents, the truth unfolds when May’s aunt arrives, bringing a surprising reunion with the man she’d just been talking to.
In a quiet moment of unexpected drama, a famous actor crashes into Kathy’s garden and is brought inside, unconscious. When he wakes, his arrogance irritates her—especially when a letter from the glamorous Sandra Sultry sends him into a panic. As Kathy’s father announces he’s leaving his job to paint, the household tension rises. When Sandra Sultry arrives, Dave makes a surprising claim, and later, in a quiet turn, he asks Kathy to marry him.
Pete Clarke has always been carefree—until Mary Marshall walks into his life. He stumbles through chances to talk to her, nervous and unsure, until he finally asks her out while she waits for a friend. She dashes off to catch a bus, leaving him uncertain. But when she shows up the next night, he’s stunned—and even more so when she tells him she’s been waiting for him all along.
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Reprinted in Damita #319 (1965)
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