Valentine #30 May 1970
☆ Be the first to review + Add to your collection — Join freeIn "Running Out of Time," a quiet moment at Keith's house sparks something unexpected when Sharon ventures into the overgrown garden next door and meets Steve, the reclusive son of the property's owner. While her friends enjoy themselves, Sharon finds herself drawn to Steve's introspective nature—until a sudden fire at his crumbling home forces her to confront the contrast between his resignation and her friends' energetic response. With art by Francesc Monjo, this 1970 IPC issue captures a subtle, poignant shift in perspective, all rendered in the distinctive style of its creator.
Cherry Turner arrives at a quiet holiday hotel only to find it filled with elderly guests, until she meets Grant—charming, easygoing, and soon the only one who makes her feel alive. As they share laughter and stolen moments in the dull resort, Cherry finds herself falling for him, though he seems unaware. When Grant’s fiancée arrives unexpectedly early, Cherry resolves to leave, but he follows her, revealing the truth: his engagement was never real, and he’s been waiting for a chance to be honest.
Lola’s stuck at home with a cold while her friends head to the beach, but a visit to the chemist brings her face-to-face with new staff member Steve Barker. As she returns daily for medicine, Steve suggests her symptoms might stem from being left out—so he arranges a night out to lift her spirits. When Steve falls ill in turn, Lola finds herself caring for him, and the roles slowly shift.
In a quiet corner of a summer afternoon, Sharon finds herself drawn to the overgrown garden next to Keith’s house, where she meets Stephen Foster—quiet, thoughtful, and unlike anyone she knows. As their brief encounters deepen, she begins to question the easy camaraderie of her friends, especially when Stephen’s crumbling home catches fire and the gang rushes to help. A moment of quiet courage and unexpected connection unfolds between Sharon and Stephen, leaving her at a crossroads between the vibrant world she knows and something quieter, more uncertain.
Sarah Smallwood brings news that TV producer Ronnie Threadway is willing to audition Scot Anderson, setting off a night of anticipation and quiet tension. As Scot attends a party with Ronnie, Sarah waits alone, her hopes rising with each passing moment—until one o'clock arrives and he still hasn’t returned.
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