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Valentine#30 April 1960

Valentine #30 April 1960

Apr 1960 · IPC · 5d [0-0-5 GBP]
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"Prettier Than You" in Valentine #30 (April 1960) offers a quiet, poignant tale of isolation and unexpected connection. When Trina inherits a cottage far from the city’s chaos, she tries to keep the world at bay—first with a sign, then a fence, and finally a wall—only to find her solitude tested when a fire threatens her home. Antonio Romero’s expressive art brings warmth to this small but telling story, with the cover by Antonio Romero capturing the mood of quiet tension and hidden humanity.

Contains 6 stories
Prettier Than You
3 pp · Romance
Sally GreshamGreg Parker

Sally Gresham finds herself drawn to an artist who sees her in a new light—until she hears whispers from the office girls about his familiar charm and a pattern that makes her question his intentions.

Plenty Good Lovin'
3 pp · Romance
JanetAgnes MarkhamGeorgeBetty Stone

Janet’s perfectly content as a single woman—until her mother’s old friend Agnes Markham arrives with a mission: match her niece with her nephew George. George, smitten with Betty Stone at first sight, is torn between his feelings and fear of losing his inheritance. To keep the peace—and his aunt’s favor—Janet agrees to pretend she’s dating George, all while George secretly pursues Betty. It’s a tangled web of deception, but with hearts already involved, how long can the charade last?

Untitled Romance story
2 pp · Romance
Let It Be Me
3 pp · Romance
Roy SaxonLydiaMarge
That'll Be the Day
2 pp · Romance
AngelaSidGeoff MulcasterGloriaClarence Moggs

Angela tries to set Gloria up with Clarence, only to see clearly that Sid doesn’t truly care for her. The next day, she finds herself drawn to Geoff’s shop, where a surprising confession reveals a quiet love that’s been waiting all along.

Who Could Be Bluer?
3 pp · Romance
Trina WatsonMr. SquirePeteCorky

Trina Watson retreats to a quiet cottage left by her aunt, hoping to escape the world’s noise—only to find her solitude tested when a caravan site springs up just beyond her fields. Determined to keep her peace, she pushes for signs, then a fence, and finally a wall, all to keep the caravanners at bay. But when fire threatens her home, the very people she shut out rush to help, turning her isolation into an unexpected moment of connection.

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Full credits

artist, inker Antonio Romero

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