Valentine #3 July 1965
☆ Be the first to review + Add to your collection — Join free"You Know" in Valentine #3 (July 1965) delivers a tense, atmospheric slice of British small-town suspense, drawn with quiet precision by Félix Mas. Stranded and penniless, Anne takes a ride with a family heading back to London, only to find herself entangled in a web of suspicion after they pick up a mysterious stranger named Mike. The story unfolds with a creeping unease as Anne checks into a hotel with borrowed money, unaware that her presence is already being reported—her every move watched, her past unknown. Cover by Félix Mas.
In a quiet moment beneath the weight of memory, Mary finds herself drawn to Alan Fairley—yet haunted by the shadow of his past. As he asks her to marry him, she presses him for the truth about his relationship with Tina Watson, a woman whose name still echoes through Craxton like a half-remembered song.
Anne Tilson finds herself stranded and broke, hitching a ride with a family returning to London—only to be left behind when Mike Banner abandons them at a roadside stop. The next day, after securing a room at a small hotel with money lent by the family, she begins to suspect the clerk’s strange behavior may be a warning sign.
In "Baby, You're So Good to Me," John Farmer goes all out to win Susie’s heart with lavish gifts and grand gestures, but her growing unease hints at a deeper disconnect. When she finally tracks him down after a week of silence, she uncovers the truth behind his extravagant lifestyle—his financial promises were built on risky bets, not a steady job.
Agnes Grey has always carried the memory of her father, lost at sea when she was a child, and now, as she navigates romance with Jerry and Brian, she finds herself caught between her mother’s lingering grief and her own longing for a love that feels as enduring as the one her mother remembers. With her mother, Mrs. Grey, quietly comparing every new suitor to the man who never came home, Agnes begins to wonder if she’s searching for something that can never be found—until something unexpected stirs in her heart.
In "Look for Me, Baby," Jimmy shares a painful memory with Polly Carter—how a fateful night driving with his old girlfriend ended in a crash that left Katy paralyzed. As the weight of the past settles between them, the quiet ache of what might have been begins to echo in the space between two lives that never quite let go.
Sally counts on the fleeting hours between her workday and her train, the only time she shares with Alec. But when his briefcase slips open, she finds a photo of a woman she doesn’t know—his wife, hospitalized for years.
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Reprinted in Love Story Picture Library #963 (1972), Love Story Picture Library #964 (1972), Love Story Picture Library #970 (1972), Love Story Picture Library #972 (1972)
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