Valentine #26 September 1970

In "Wild Man," secretary Penny lands a temporary job with photographer Tony Palmer, where a chance moment modeling a watch in front of a scarecrow—whom she names Sebastian—sparks an unexpected connection. As their relationship deepens, tensions rise when Tony’s focus wavers and Penny struggles with jealousy, especially toward fellow model Moira. The story unfolds with quiet emotional weight, capturing the fragile balance of love and insecurity, all rendered with expressive detail by Luis García.