Valentine #26 September 1970
In "Wild Man," secretary Penny lands a temporary job with photographer Tony Palmer, where a chance moment modeling a watch in front of a scarecrow—whom she names Sebastian—sparks an unexpected connection. As their relationship deepens, tensions rise when Tony’s focus wavers and Penny struggles with jealousy, especially toward fellow model Moira. The story unfolds with quiet emotional weight, capturing the fragile balance of love and insecurity, all rendered with expressive detail by Luis García.
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Secretary Penny gets an temp job with photographer Tony Palmer. After she sorts his office, he asks her to stay on. When a model breaks her toe, Penny takes her place modelling a watch in front of a scarecrow, which she nicknames Sebastian. Work quickly becomes romance, and Tony won't let Penny model for him again as he can't concentrate with a girl he loves. Penny is jealous of his time with the models and fights with Moira, before deciding to end the relationship. But talking to Sebastian, she decides to try again and hold her tongue with the models.
Plot details indexed by the Grand Comics Database (CC BY-SA).