Valentine #26 February 1966
☆ Be the first to review + Add to your collection — Join freeIn "Much Too Much," Hilda’s desperate attempts to catch Ron’s attention—through makeup, a fishing outfit, and more—end in humiliation when he walks away. After a fall into the water and a change of clothes in a nearby cottage, she rides off on her scooter, stripped of all her usual adornments. When Ron sees her like this, the moment takes an unexpected turn. José González’s expressive art brings the emotional highs and lows of Hilda’s journey to life, capturing the quiet, poignant moments of a story that’s as much about self-worth as it is about romance.
Jean has always admired Harry Foster for his kindness, but she starts to wonder if every good deed comes with a hidden cost—especially when her father agrees to their marriage and hints that Harry’s new job will keep him away. As she pieces together the truth, she realizes Harry’s generosity may have been more calculated than she thought.
Dodie’s pride takes a hit when Hugo chooses Jimmy Hatton to pose as Adonis for a painting, leaving her to play Venus—especially when Jimmy’s kiss catches her off guard and the resulting struggle destroys the artwork. Hugo’s reaction, more concerned with the ruined canvas than the moment between them, leaves Dodie stunned and unsure where her feelings truly lie.
In "Forget Me Never," grief and guilt hang heavy as Mr. Martin clings to the belief that his son Wes didn’t fail in space—but that he failed him. Grace Lucas, burdened by her own remorse, can no longer bear the weight of his blame, and in a quiet moment of breaking, she confesses her role before walking away. The fragile bond between family, memory, and regret is tested in just two pages.
In a flash of daring and charm, the Duchess surprises everyone by joining a high-stakes gambling game in the back room—only to walk away with the gangsters’ winnings. When Julian Verity is asked to consider marrying Cassandra Van Klock, the daughter of a criminal, he declines, but Fred’s sudden proposal to Cassandra throws the whole evening into new motion. Candy O’Keefe stays in New York just long enough to see the wedding, then returns to England, leaving behind a moment of unexpected romance.
Hilda Slade, determined to catch Ron Jones’s attention, tries everything—from cosmetics to a fishing outfit—only to be met with silence and rejection. After a humiliating fall into the water, she flees in a borrowed set of old clothes, her face bare and her scooter speeding down the road. When Ron sees her like this, stripped of all artifice, something shifts—though what exactly, remains to be seen.
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