Valentine #24 June 1961
☆ Be the first to review + Add to your collection — Join freeIn "Where the Boys Are," Roy Newby’s expressive art brings to life a charmingly awkward romance where a missed film, forgotten shoes, and a long hitchhike on a coal lorry turn a simple evening into a whirlwind of missteps. When a lost pair of shoes resurfaces two days later, Evelyn finds herself on the verge of a fresh start—only time will tell if this moment marks a new beginning or another detour. Julian Morote’s cover captures the quiet tension and hope of the moment, perfectly framing the story’s delicate balance between frustration and possibility.
Evelyn’s long-awaited movie night turns into a tangle of missteps when Rodney’s disinterest sends them scrambling to catch a bus—only to lose her shoes in the theater. Forced to hitch a ride on a coal lorry, the pair return home at odds, their evening shattered. Two days later, a chance encounter with the usherette’s brother brings a surprising twist: the lost shoes have returned, and with them, a new possibility.
Jill finds herself unexpectedly in the spotlight when nearly all the girls in Stanton leave for a new factory, leaving her the last unmarried woman in town. Suddenly, every boy in Stanton is eager to take her out—much to Jim Jackson’s growing annoyance.
In the quiet moments before her eighteenth birthday, Vicky faces a turning point—her parents are relocating, and she must decide whether to stay behind and stand by her own choices, or follow them into the unknown.
In "Come to Me," Jan finds herself drawn into Gloria Roman’s dazzling world when she starts working at Universal Screen Services, where Gloria’s ambition and charm are impossible to ignore. As Jan becomes entangled in Gloria’s whirlwind rise, the line between loyalty and desire blurs—especially when Gloria’s pursuit of success comes at a personal cost. With Roger, David, and Cedric all caught in the shifting dynamics, Jan must navigate a web of emotion and betrayal that leaves her questioning where her heart truly belongs.
Linda Starkey, the sharp-tongued editress of a top women’s magazine, finds herself out of her depth when her boss sends her to interview the charming playboy Larry Gaylord—someone who’d never be interested in a woman like her. Determined to prove she’s more than just a career-driven editor, Linda reinvents her look, only to discover that the real challenge isn’t changing her image, but understanding what love truly means.
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