Valentine #20 November 1965
☆ Be the first to review + Add to your collection — Join freeIn "Stay Around," Ginny navigates the awkward tension between her professional role as Max's on-set prompter and her growing personal feelings, all while the TV star remains oblivious to her. As Max prioritizes his career and dismisses his fans, Ginny finds herself unexpectedly drawn into the spotlight when a cameraman asks Dinny out—prompting her to reflect on her own quiet day at the beach and the unspoken emotions simmering beneath the surface. A moment of mistaken sincerity—when Max accidentally flubs a line with a real question—leaves her wondering what might have been, all captured in the quiet, expressive art of Maria Consol Escarrà.
In a tense, fast-paced trio of pages from *Valentine* #20, Henry finds himself in trouble with the law after an alarm test gone wrong—only to be saved by Mrs. Higgs, who arrives just in time. As the crew prepares to offload stolen art at the police station, Horace Smith suddenly appears, demanding his share, and Lynda, ever eager to please, agrees. With Bruce offering a fresh start on a boat bound for overseas, the pair consider a new life—until a radio report brings news of an arrest, leaving Lynda uneasy about the cost of their freedom.
In a daring twist of fate, Mitch sneaks into a harem to rescue Candy, only to be discovered by Omar—whose quiet deception may be the key to their escape. As the guards close in, Omar leads them away, but his true intentions soon surface when he uses a secret passage to guide Candy and Mitch back to their plane. There, a shocking claim from Brad throws everything into question: Candy is already married to him.
In a quiet moment at the beach, Ginny can’t stop thinking about her job behind the scenes of the popular "Prince Danger" show, where Max Bray’s charm is all performance—except when he accidentally says, “Will you marry me, Ginny?”—a slip that leaves her wondering if the actor might finally see her. Brian Kingston, caught in the middle, tries to help her sort through the confusion, but the real question lingers: is this just another line, or something more?
In "Long Time Comin'," Eileen Rainham and Richard Curzon face a dangerous choice when Capitan Carlos Ramos offers them a chance to escape, entrusting them with the safe passage of his children across the frontier while he remains behind to fight for the rebellion. The weight of loyalty and love hangs in the air as their paths intertwine in a moment that could change everything.
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