Valentine #18 December 1971
☆ Be the first to review + Add to your collection — Join freeIn "Rich Girl, Poor Girl," a chance encounter in the fog brings Jill, a secretary driving her boss’s car, into a tense conversation with Brian, who’s quick to judge based on appearances. As their clash of class and assumptions unfolds, the truth about Jill’s real identity remains just out of reach—though her father’s wealth is no secret to those who know the family. The story unfolds with quiet intensity, drawn with sharp detail by Santiago Hernández.
In the misty quiet of a winter evening, Jill finds herself lost—and not just in the fog, but in a moment that challenges her assumptions. When she meets Brian, a man with sharp words and sharper opinions, she’s quick to defend her place in the world, though her expensive car only fuels his suspicion. As their conversation unfolds, the truth about who she really is begins to slip through, but not the way either of them expects.
Fay Gould can’t stand Mark Taylor, especially when he arrives from London to take over the office where she works. Cold and distant at first, Mark’s aloof demeanor only fuels her dislike—until something shifts between them, leaving both unsure of what’s really happening.
In the quiet intensity of a hospital ward, Jimmy French lies broken, haunted by a memory that blurs into his present. When Staff Nurse Joanne Peters enters, he sees not the nurse, but the face of his lost fiancée—her image so vivid it defies reason. As the lines between past and present tremble, one question lingers: can love survive when the one you lost is standing right in front of you?
Red Clifton’s first day at the factory starts with a quiet moment in the canteen, but it quickly turns tense when a near-accident with a motorcycle leaves Becky shaken—and Red more alert than ever. As the two walk away, the sudden flash of a motorbike and the echo of tires on pavement leave them both wondering if the encounter was just bad luck… or something more.
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