Valentine #16 March 1963
☆ Be the first to review + Add to your collection — Join freeIn "You're Telling Me," four passengers stranded high above the Swiss Alps on a stalled funicular railway reflect on their pasts, each haunted by choices that shaped who they are. Mary, long defined by years of selfless care for her mother, finds herself questioning her worth when a chance at a new beginning arrives—only to vanish. As the mountain air grows thin and a rescue helicopter finally appears, she begins to see herself in a new light. Jordi Longarón’s expressive art brings quiet intensity to this poignant moment of reckoning, capturing the fragile hope that stirs when the past finally lets go.
In a quiet moment at a dance, Cleo Brown finds herself drawn to Paul’s confident presence—his decisiveness a stark contrast to her boyfriend Jim’s easygoing ways. Though she’s charmed by Paul’s commanding style, a glimpse of how he treats her parents during wedding talk makes her question whether such control could ever lead to true partnership. As she weighs her feelings, Cleo wonders if Jim, with his gentle nature, might still be the one she truly belongs with.
Debby Carpenter and George Meridew, separated by oceans and unexpected inheritance, find themselves drawn together by a shared house and a quiet, uncertain chemistry. As they begin painting the old home, a simple spill of paint becomes a moment of quiet tension between two people who can’t quite read each other’s silence.
Ruth finds herself drawn into a quiet moment on the train when she wakes Mike Greig, who’s missed his stop—only to be anxious about how his sister Janet will react. When Mike insists she come with him to explain, Janet’s warning rings clear: Mike’s charm is a well-practiced trick. But as the truth unfolds, Ruth begins to wonder if the boy who pretended to sleep through his stop might just be telling her something real.
In the quiet tension of a stranded funicular high in the Swiss Alps, four passengers confront the weight of their pasts. Mary Anderson, long defined by duty to her mother, faces a moment of reckoning as she wonders if she’s truly ready for a life beyond sacrifice—especially after a mysterious man’s absence left her questioning whether she was ever truly seen. With the mountain air thick with memory and the promise of rescue, the journey above the snow-capped peaks becomes a turning point for all four souls.
In a quiet moment between tea breaks and estate listings, shy George Marshall finds himself tangled in a web of feelings he never expected—sparked by a photograph of a house he claims is his secret love. When Helen, his daily tea companion, pushes him to move on, their tentative dates bloom into something real—until the truth behind George’s imagined romance comes to light.
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Reprinted in Romantic Rendezvous Comic #18 (1969)
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