Valentine #14 August 1965
☆ Be the first to review + Add to your collection — Join freeIn "And My Baby's Gone...", Pam’s life takes a turn when she reads that J. McDuddle-Scott is hailed as the greatest man in the world—only to leap to the conclusion that her shared last name makes her a genius too. Her sudden belief in her own importance strains her relationship with Ron and leads to an unexpected job loss. Art by Jordi Franch Cubells, this 1965 Valentine comic captures a quietly absurd moment of self-delusion with sharp wit and period charm.
A year after losing his fiancée in a car crash, Alan Parker arrives on a quiet island for rest, only to find himself unexpectedly drawn into the quiet lives of three women—Jean Clarke, Molly, and Sue Wintle—each of whom begins to see something new in him. As the days pass, the island’s calm becomes charged with unspoken feelings, and old wounds stir in ways no one saw coming.
Anne and Fred stroll the beach when they stumble upon Mark digging frantically in the sand, convinced he’s close to finding buried treasure. Tensions rise as Fred argues with Mark over the reward money, dreaming of using it to open his own garage. Later, Anne meets Sandra, the striking daughter of Fred’s landlady, and finds herself unsettled by Fred’s sudden, sharp reaction when Sandra even glances at another boy.
Valerie Sanderson has just ended her two-year relationship with John Rutherford, unable to keep up with his string of job losses. Months later, John shows up at her antique shop with a collection of curious old items, and Valerie is certain he’s stolen them—especially when Lord Penton arrives with a suspicious interest in the same pieces.
In "Look for Me, Baby," Polly Carter watches anxiously as Jimmy wrestles with a painful secret—whether to confess his lingering feelings to Katy, the woman he once promised to marry. With Katy preparing for a risky operation that might change everything, Jimmy’s silence hangs heavy, and the weight of the past threatens to pull them all under.
Pam MacDuddle-Scott is convinced she’s a genius because her last name matches that of the celebrated J. McDuddle-Scott, whose fame has reached legendary status. Her growing belief in her own brilliance leads her to act with increasing flair—much to Ron’s growing frustration—and ultimately costs her her job.
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Reprinted in Love Story Picture Library #981 (1972), Love Story Picture Library #990 (1972)
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