Vaincus mais vivants #[nn]

Set against the turbulent backdrop of Chile in 1973, this Le Lombard graphic novel from Loïc Locatelli Kournwsky and Maximilien Le Roy opens with a cover that immediately pulls you in — a man and a pregnant woman share an intimate, tense moment in the foreground, while below them a crowd waves banners bearing the name Allende amid calls for Unidad Popular. The warm, earthy palette and poster-art style give the image a striking emotional weight, balancing personal tenderness against the sweep of historical upheaval. Vaincus mais vivants announces itself as a story where private lives and political history are deeply, inescapably intertwined.