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This Magazine Is Crazy #2 cover
Cover: Jack O'Brien
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This Magazine Is Crazy #2

Nov 1957 · Charlton · 0.25 USD
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This November 1957 issue is a humor magazine for men featuring "Calypso, U.S.A." by Henry Fellowbountry, a comedic narrative in verse about the author's evening spent with Fellowbountry, a colorful character who recounts ballads and tales at a bistro before being unceremoniously put into a taxi and sent away. The issue also includes humorous articles and advertisements aimed at male readers, such as advice on post-party cleanup and promotional content for Boyform brand shorts.

Contains 9 stories
When the Animals Finally Take Over!
4 pp · Humor
The Adventures of Sniffy Snuff
4 pp · Humor, Satire-Parody

Sniffy Snuff, a backwoods bootlegger, finds himself alone with a woman he's been eyeing, but her arrival disrupts his romantic plans when she discovers his illicit operation and demands pork chops instead of affection. This 1957 satire of mountain folklore and old-timey melodrama sends up romantic ambitions with humor as broad and crude as the Ozark setting itself.

It's Part of the Game
2 pp · Humor, Sports

A tongue-in-cheek look at the gap between athletes' postgame boasts and what really went down on the field, court, and ring—this two-pager strips away the humble victory speeches to reveal the lucky breaks, equipment failures, and outright fibs that often hide behind confident talk. It's a sharp satirical jab at the gap between the hero's tale and the messy truth of sports.

Captain Half Past Twelve
4 pp · Humor, Satire-Parody

In this 1957 space-age comedy romp, a swaggering space ranger's romantic schemes go spectacularly awry when his girlfriend arrives via experimental mail delivery—only to have a mix-up with the sizing equipment leave her in an unexpected predicament. As she pursues him across the moon base with vengeance in mind, our hapless hero discovers that being trapped has its own peculiar advantages. It's a wacky satire of pulp space adventure and romance tropes, complete with shrinking serums, mail-order mayhem, and a punchline about domestic compromise.

Expose
2 pp · Humor

This 1957 humor piece takes a satirical jab at television by "exposing" that Lassie—the beloved canine star—is actually male, then hilariously spirals into paranoid speculation about which other famous TV heroines might be hiding their true identities. It's a cheeky riff on celebrity gossip and the absurdity of mid-century TV culture, served with a wink and a nudge to readers.

Ribald Classic
2 pp · Humor
Crazy Home Hint Dept.
4 pp · Humor

This Magazine Is Crazy's "Crazy Home Hint Dept." offers a tongue-in-cheek guide to home improvement, with a series of before-and-after transformations that hilariously subvert the typical domestic makeover. From converting a dreary basement into an unconventional recreation space to reimagining guest quarters and sleeping arrangements with absurdist flair, each vignette promises budget-friendly solutions built on creativity and imagination. The humor lies in what passes for practical advice in this 1957 comedy department—a refreshingly warped take on the era's earnest home-improvement culture.

Mother Goosed
2 pp · Humor, Satire-Parody

"Mother Goosed" is a cheeky parody that reimagines classic nursery rhymes with a decidedly grown-up twist, trading innocence for wry humor and innuendo at every turn. From the woman in the shoe facing the consequences of her choices to Peter, Peter finally trading up his obsessions, each familiar verse gets flipped on its head with a knowing wink. It's a quick, irreverent two-pager that proves even the oldest stories can get a sharp comedic makeover.

You Too Can Be a Pelvis!
4 pp · Humor, Satire-Parody

This 1957 humor piece offers a tongue-in-cheek "do-it-yourself kit" for aspiring young performers looking to emulate the latest pop sensation sweeping America. With just a few household items—black felt, a bootlace, and a homemade duck tail—readers learn they too can capture the moves and style that have captivated the nation's youth. It's a perfect satirical jab at celebrity culture and the infectious fads that grip each generation.

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Full credits

cover pencils, inks Jack O'Brien

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