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The Green Hornet#36
Cover: Scott Neely

The Green Hornet #36

Aug 1994 · Now · 1.95 USD; 2.50 CAD
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“Old Wounds”

In "Old Wounds," the Green Hornet faces a crisis of trust when Paul Reid must distance himself from Gloria/Glory—knowing her secret identity as Sister-Hood—without revealing why, leading to strained encounters that grow increasingly tense. When Johnny Dollar kidnaps Paul in broad daylight and puts the Hornet’s true identity up for auction across the underworld, Kato takes to the streets in the Beauty, using the car’s disguise to track the threat, while Diana races to share news of her pregnancy with Hayashi—only to be cut short by the shocking news. Cover by Scott Neely, written by Joan Weis and illustrated by Patrick Zircher, this issue deepens the stakes with a pulse-pounding game of cat-and-mouse, where loyalty is tested and secrets could cost everything.

writer Joan Weis · artist Patrick Zircher · inker Jim Brozman · inker Dan McConnel · colorist Holly Sanfelippo · letterer Andrea Albert · cover Scott Neely

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Cast · 5 characters

Full credits

writer Joan Weis
letterer Andrea Albert
cover pencils, inks Scott Neely

Full plot ⚠ may contain spoilers

▸ Reveal full plot — may contain spoilers

The Green Hornet's discovery that Gloria/Glory is also Sister-Hood requires Paul Reid to back out of his romance with her in a way that won't raise her suspicions about his reasons, which results in a series of dates which are uncomfortable for both of them. After one such evening, the Hornet and Kato break up an illegal arms sale, allowing one of the supplier's men to escape so his boss, Johnny Dollar, will know who's responsible. Enraged, Dollar has Paul kidnapped off the street in broad daylight, then spreads the word across the underworld that he's putting the true identity of the Green Hornet up for auction. Diana, on the verge of telling Hayashi about a positive result on a home pregnancy test, is informed of the snatch via her cel. Kato hits the streets, with the Beauty's tinted windows and voice synthesizer hiding the fact that the Hornet is not on the back seat, and learns of the auction. As, variously, either The City's top crime figures or their representatives arrive at Dollar's, in a supply room hastily converted to a holding cell Glory confronts Paul, flatly addressing him as "Hornet"! Continued next issue...

Plot details indexed by the Grand Comics Database (CC BY-SA).

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